There's something visceral about square one. A knocked out tooth wetly sitting in the palm of my hand. So I'm standing on my little square out in the open, careful not to lean too far out to the left or the right, cradling my little bloody tooth like it's the last good thing I'll ever hold. I've been here too many times, I'm familiar with the landmarks, abyss over there, blank void above and everywhere just a backlit blur with things going on behind the haze but there's something new too. The other square, the one in the middle of that lush lawn over there with the sunlight streaming down on it. The square with paths leading this way and that connected to other busy squares with their own landscapes going on.
This time I didn't parachute myself down on this square, didn't scuba up from the depths to crawl onto it I was just kind of zapped here without warning. Seriously I was skipping along all happy on a path connected to the sunlit square and kablammy here I am with a knocked out tooth and a brand new view. I suppose it's one of those vicissitudes everyone is always talking about.
Showing posts with label Get a job. Show all posts
Showing posts with label Get a job. Show all posts
Shelter
I haven't felt so sheltered in a long time. At first I sat in the driver's seat with my eyes closed while the wind rocked and buffeted the car. I moved to the back seat to search through my bag for money but the wind blew the door shut and once again I felt cocooned.
Nothing else feels weatherproof around here. I don't ordinarily have a car so I walk through wind or sun or rain to work and back again. The Peach sighs and breathes while rain breaches roof and windows and cracks in the walls. Even my office is ancient and allows fingers of air under doorways and window sills. But not this car.
This car belongs to my father and like all his possessions has art in its design. My neighbour thought I'd won the lottery when I parked it outside his house. It is large and sleek and every convenience has been thought of but best of all is how it feels to shut the door and turn the key in the ignition. All weekend I have had this car and the accompanying possibility of going anywhere at any moment without physical effort or even the need for shoes.
I opted for practicality and drove myself to the supermarket and then home again with two bags full of heavy cans. I made a long list of places I might like to drive. I thought a little and crossed them out one by one. I didn't really have anywhere to go.
I didn't really have anywhere to go until today. I drove to work, there was nowhere to park. I intended to circle the block and try a different backstreet when I seemed to suddenly arrive on the roof of a supermarket three suburbs away. It was fifteen minutes before I was due at the office. I could have made it to work, maybe even been on time but instead I picked up my phone and said I was feeling sick.
The wind buffeted the car and there I sat with my eyes closed while the car rocked and the clear light stayed steady. After I'd been motionless and without thought in the back seat for half an hour I started to realise something was probably wrong. I felt fine, motionless and empty-headed but fine yet not quite right either. Why was I here? When did I make the decision to drive here? Why did I call in sick for work at the last possible moment when I woke myself sneezing five hours ago? And the larger more important question of what the fuck was I doing sitting motionless in a car on top of a supermarket half an hour after I figured it probably wasn't a normal thing to be doing?
I need to be at the airport to meet my father tomorrow afternoon when he flies back into town. He'll drop me at The Peach and then drive four hours home. After that I suppose I'll be back to normal, shoving tea towels in cracks in the walls to keep the wind out and life limited to walking distance.
Nothing else feels weatherproof around here. I don't ordinarily have a car so I walk through wind or sun or rain to work and back again. The Peach sighs and breathes while rain breaches roof and windows and cracks in the walls. Even my office is ancient and allows fingers of air under doorways and window sills. But not this car.
This car belongs to my father and like all his possessions has art in its design. My neighbour thought I'd won the lottery when I parked it outside his house. It is large and sleek and every convenience has been thought of but best of all is how it feels to shut the door and turn the key in the ignition. All weekend I have had this car and the accompanying possibility of going anywhere at any moment without physical effort or even the need for shoes.
I opted for practicality and drove myself to the supermarket and then home again with two bags full of heavy cans. I made a long list of places I might like to drive. I thought a little and crossed them out one by one. I didn't really have anywhere to go.
I didn't really have anywhere to go until today. I drove to work, there was nowhere to park. I intended to circle the block and try a different backstreet when I seemed to suddenly arrive on the roof of a supermarket three suburbs away. It was fifteen minutes before I was due at the office. I could have made it to work, maybe even been on time but instead I picked up my phone and said I was feeling sick.
The wind buffeted the car and there I sat with my eyes closed while the car rocked and the clear light stayed steady. After I'd been motionless and without thought in the back seat for half an hour I started to realise something was probably wrong. I felt fine, motionless and empty-headed but fine yet not quite right either. Why was I here? When did I make the decision to drive here? Why did I call in sick for work at the last possible moment when I woke myself sneezing five hours ago? And the larger more important question of what the fuck was I doing sitting motionless in a car on top of a supermarket half an hour after I figured it probably wasn't a normal thing to be doing?
I need to be at the airport to meet my father tomorrow afternoon when he flies back into town. He'll drop me at The Peach and then drive four hours home. After that I suppose I'll be back to normal, shoving tea towels in cracks in the walls to keep the wind out and life limited to walking distance.
What kind of magic spell to use?
One that completes all work in automated fast motion, similar to the dancing mops but with a successful outcome. Now, if you will excuse me I shall begin.
Taking care of
Clattering out of the exit of a fifty floor office tower after 7pm I found myself on the receiving end of a few sympathetic smiles. I was weighed down with folders and documents*, just like the besuited sympathetic smilers. I felt a small burst of collegiate warmth and kinship as I struggled to the nearest bus stop.
I stared up at the endless rows of office towers and listened to the small concrete echo of traffic and hard-soled shoes. I wondered if I could do this every day. So powerful was the feeling of kinship and collaborative human struggle I got carried away in a fantasy of owning a wardrobe full of business dresses, of rising early every day to brush my hair and travel clean and groomed right into the heart of the city. Then I realised I was at the wrong bus stop and my red shoes were old and scuffed and my anchor broach was ridiculously out of place and my office was not in one of those towers but in an almost condemned building in the back corner of a university.
I achieved a new limbo in that moment. I felt simultaneously part of the churning machinations of the city but also free. It was probably just a case of geography.
*Almost all of them were legitimate work documents and books, only two of the books were poetry and only read one of them during the meeting.
I stared up at the endless rows of office towers and listened to the small concrete echo of traffic and hard-soled shoes. I wondered if I could do this every day. So powerful was the feeling of kinship and collaborative human struggle I got carried away in a fantasy of owning a wardrobe full of business dresses, of rising early every day to brush my hair and travel clean and groomed right into the heart of the city. Then I realised I was at the wrong bus stop and my red shoes were old and scuffed and my anchor broach was ridiculously out of place and my office was not in one of those towers but in an almost condemned building in the back corner of a university.
I achieved a new limbo in that moment. I felt simultaneously part of the churning machinations of the city but also free. It was probably just a case of geography.
*Almost all of them were legitimate work documents and books, only two of the books were poetry and only read one of them during the meeting.
Two kinds of shiver and the bare table left adrift in the centre of the library
The shadows are strange in here today. Slow and deliberate but diffused as though less sure of themselves than they claim to be. There is sky of medium blue but I have disregarded it. In here the air feels rainsoaked and the smells are green and shaded, not pine nor eucalyptus in tone, neither so deep a green nor so olive. There is a sensation of being adrift in a haven while outside all things are moss.
The furniture remains rearranged from Saturday night's dinner party, here and there I find a wine-stained glass and dishes are strewn in a beautiful mess. Some of them washed some streaked with the final course of the night. The last guest departed, reluctantly at false dawn, as I shivered in my skin. There is a chill that comes and will not be denied when I have been awake three hours too many.
The dinner was successful, the guests full of chatter and goodwill, the wine never running out. We took turns at blindfolding each other and staggering around with a paper donkey's tail held out in one hand, the other hand stretched blindly into empty space. We decorated with linen napkins, flowers in empty jars, lit candles and borrowed plates. Mr X was the only person to successfully pin the tail on the donkey, his prize was to perform an interpretive dance to a song of his choice. Spencer eyed him suspiciously while he danced, almost always it is Spencer who is watched while we do the watching.
Now I have here some notes I made on Friday night when I was dragged, willingly, to Mr X's strange gig out West in one of those giant clubs with acres of poker machines and an all you can eat buffet featuring both Chinese dishes and pizza. I was horrified by the people I met, the forcefulness of their presence, the blunt and alarming manner they conducted themselves like alarmed and enlisted echnidas forced upright and forwards despite the spines and spikes pointing out in all directions and the hand grenade clutched in the palm of their right hand.
I am supposed to be at work but I found, after dressing there was a chill in the air and the strong urge to wrap knitted layers across my shoulders combined with a sensation that if I laced up my shoes and walked down the front path I would turn to glass and shatter before I reached the corner. I am probably coming down with a cold, it always feels first as though I have been indelibly altered and then a day later I realise it the usual case of a mild fever and the manufacturing of snot. There is the hope that one day I won't notice and I'll just walk around like everybody else clutching a tissue and making a cup of tea.
The furniture remains rearranged from Saturday night's dinner party, here and there I find a wine-stained glass and dishes are strewn in a beautiful mess. Some of them washed some streaked with the final course of the night. The last guest departed, reluctantly at false dawn, as I shivered in my skin. There is a chill that comes and will not be denied when I have been awake three hours too many.
The dinner was successful, the guests full of chatter and goodwill, the wine never running out. We took turns at blindfolding each other and staggering around with a paper donkey's tail held out in one hand, the other hand stretched blindly into empty space. We decorated with linen napkins, flowers in empty jars, lit candles and borrowed plates. Mr X was the only person to successfully pin the tail on the donkey, his prize was to perform an interpretive dance to a song of his choice. Spencer eyed him suspiciously while he danced, almost always it is Spencer who is watched while we do the watching.
Now I have here some notes I made on Friday night when I was dragged, willingly, to Mr X's strange gig out West in one of those giant clubs with acres of poker machines and an all you can eat buffet featuring both Chinese dishes and pizza. I was horrified by the people I met, the forcefulness of their presence, the blunt and alarming manner they conducted themselves like alarmed and enlisted echnidas forced upright and forwards despite the spines and spikes pointing out in all directions and the hand grenade clutched in the palm of their right hand.
I am supposed to be at work but I found, after dressing there was a chill in the air and the strong urge to wrap knitted layers across my shoulders combined with a sensation that if I laced up my shoes and walked down the front path I would turn to glass and shatter before I reached the corner. I am probably coming down with a cold, it always feels first as though I have been indelibly altered and then a day later I realise it the usual case of a mild fever and the manufacturing of snot. There is the hope that one day I won't notice and I'll just walk around like everybody else clutching a tissue and making a cup of tea.
Geographical facts in numbered list form but not in chronological order
- The IGA on Enmore Rd smells like dill and offers cold comfort from the hot thick air.
- Enmore Rd is swarming with beautiful boys sporting traditional 80's metal hair, bandanas and leather pants. Quite a lot of them are wearing Skid Row singlets, the kind with wide open arm holes exposing skin drawn tight across ribs.
- The best example of the swarming men was one young one in read snakeskin pants.
- One hour ago I was drinking coffee on King St with two people, one of them was more eccentric than I am, and also slightly creepy at times. At one point he mimed throwing a sheet, thousand count Egyptian cotton, over my head and then pressed a finger to my lips saying 'shhh, shhh'.
- Nine hours ago I paid twice for my morning coffee on the way to work, once for today and once for yesterday when I forgot my wallet and they made me coffee anyway. This is the benefit of putting up with inane small talk from cafe owners every day.
- Six hours ago, in my office, I was listening to Mr X's new album when a wasp flew into my dress. I performed the most remarkable dance.
- Robert has performed his last day as a not-for-profit slave worker in Ultimo and will from this night forward be a Writer, he insisted on the capital W. I do not doubt his success.
- Walking home the humidity was so high I feared I might at any moment sweat myself into non-existence. Vanish right into thick air.
You are boring
Work - challenging (in an odd but not bad way)
Home - peaceful (and mildly clean)
Friends - all fine (unless they are pretending)
Family - no problems (and presumably still alive)
Manuscript - going (yes)
PAN - in progress (a way to go but in progress)
BORING.
All work and no play makes Dale a dull girl.
I'm not seducing disaster, merely making an observation, pass me the champagne.
Home - peaceful (and mildly clean)
Friends - all fine (unless they are pretending)
Family - no problems (and presumably still alive)
Manuscript - going (yes)
PAN - in progress (a way to go but in progress)
BORING.
All work and no play makes Dale a dull girl.
I'm not seducing disaster, merely making an observation, pass me the champagne.
Portraits & lemon wheels distract island resident
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| I took this dodgy photo of Lyndal |
I planned to spend every waking moment from Friday after work until Sunday night in a deliberately blissful state of writing reverie but as it so happened one or two things popped up. The first thing was work, stupid fucking work, I ended up working until almost eight at night, until Spencer came in the office door with a Rolling Stones poster and the pronouncement that he was bored and sick of waiting for me to finish. We had planned, earlier in the day, to travel together to official distraction number one.
Official distraction number one was having our portraits taken by the excellent photographer Lyndal Irons, who happens to be a friend of ours. The portraits were Lyndal's idea, not mine. When we got to her house the lounge room was transformed, huge light panel thingos and boxes that look like amps but aren't, they were giant light-controlling box things. We all sat in the back yard drinking beer and yammering in our way until Lyndal called us in one at a time to take her shots. I don't like having my photo taken, I'm not at all photogenic, I'm all surface, no shadow, unlike Spencer who has more angles than a geometry lesson, but when Lyndal asks me I'll do it.
It was odd just sitting there, occasionally being directed to turn a little this way or another. Lyndal looked busy, changing settings on everything from her camera to the giant light-controlling boxes, moving big things on stands around. I have no idea at all about anything to do with photography, except this, when she works there is a beautiful intensity about her. She becomes transformed and it's mesmerising.
Official distraction number two came the next night. I had two to choose from, one party where Spencer was the dj and I'd know about a billion people. The kind of party that I might easily find myself still at as the sun rises or a party at Mr X's house where I would know almost no one and would most likely stay well within the limits of tame. I chose the wrong party if my purpose was partying. I went to Mr X's house to help his lovely housemate celebrate her thirtieth birthday. It was a mild party, the housemate's friends were over-groomed and simultaneously over-confident and embarrassed. The embarrassment became evident when the housemate declared it was time for an air guitar competition. There were grown men hiding behind the lounge to avoid being called up to compete. If I had declared such a competition at my birthday party a few weeks ago I'm fairly confident that at least three pieces of furniture would have been destroyed in the resulting mayhem. As it was Spencer, Madam Squeeze and AHC performed a five minute interpretive dance piece, with moonwalking, P Street and E from next door waltzed mightily into the refrigerator, Abdullah did something entirely unexpected and I injured myself jumping around with a bucket on my head, and at least three highly shocking yet hilarious events occurred before midnight.
At Mr X's tonight three sets of people competed in an abashed manner and then rejoined the herd as quickly as possible. The poor birthday girl tried getting everybody to do it at once, and then tried to do just general dancing but nothing would work. They all stood there hoping not to be noticed. I felt sorry for the poor girl who is obviously quite a bit more fabulous than her general network of friends.
Around midnight a serious case of the yawns set in, just as Mr X reappeared from the kitchen with a mug of gin and tonic that included a whole wheel of lemon. I suppose I might have stayed and talked merrily with Mr X and the small band of people I have come to know but the yawns got hold of me mightily and skulked back through the back streets to The Peach. I wrote for a few more hours but now I'm giving up for the day. It's three in the morning and I've run out of steam.
I'm hoping tomorrow, with no scheduled official distractions, I can get back to island living.
Labels:
A necessary torture,
Abdullah,
AHC,
Andrew P Street,
Annandale,
Boring,
Breakfast,
Darlington,
Get a job,
Lewisham,
Mr X,
Spencer,
The Peach
I don't know
A man I didn't really know died recently, I'd met him once or twice at events hosted by one of those not-for-profits that invade every aspect of everything ever thought of. The not-for-profit decided to sell memorabilia at one of their events and the man, the now-dead man, trembled his way over to the table to inspect the goods.
He took a while moving between his seat and the merch table at the back of the hall, you could see his navigation systems were having some trouble and his legs, though willing, bowed and angled like they were bearing the weight of an eight-tonne truck and not the birdlike body of an elderly man. He fingered some of the merchandise, letting it slide between his fingers before putting it down again. He opened his wallet but came up a little short, I offered, because I was working the merch table, to let him pay the balance later, but he declined. Angling his head and taking a last look he went to walk away but his wife spotted him and came over. He politely enquired as to whether she might have some money about her person and pointed shyly to the merch.
The wife, elderly and impeccably groomed, gushed, "Of course you must have one my darling" and immediately produced a large amount of cash, in hundreds, from thin air. She might have been pompous if it wasn't for the tender glance she shot in her husband's direction. He fingered the merch once more before reverently choosing one and carefully stashing it in his battered old briefcase. Earlier in the proceedings he had introduced himself to me and proudly stated that he was back in action and ready to be of service once again. I had eyed him warily wondering if he wasn't a crackpot who'd wandered in from the street but was soon sure of his status in the group when The Captain of the not-for-profit made a show of shaking his hand.
At the time of the showy handshake I felt a shiver of disgust, not for the man but for the closed in world of not-for-profits. I found myself in a state of involuntary reverie about community marching bands and pony clubs. Those places seemed haunted by elderly people who did nothing but yell at children like me to sit up straighter on my pony or hold my clarinet at different angle. Back then I wondered why these elderly yelling people were tolerated when all they did was wear the club tie and yell and complain about things. I know better these days but at the moment of the showy handshake I felt a childlike urge to gallop off or deliberately play in the wrong key.
During the speeches, and the reading of the minutes and the chugging through of the agenda I watched the old man from my perch at the back of the room. I felt my own small tenderness for his dear old head as it bent over his shaky notes. I wondered what he was writing and why. The secretary was taking official minutes and the room was packed with emeritus academics who surely must have one or two memory cells between them. He persisted with his intense concentration and note-taking right through to the end of the proceedings.
When all the other academics and assorted official people were braying loudly over full cups of expensive wines and rocking back and forth on their heels in a mildly demented manner the old man was sitting lightly on a plastic chair in the corner. Every so often he would take a peek in his briefcase and stare fondly at his merchandise. I made a note to post him a receipt with a kind note, something simple about how the not-for-profit was terribly glad he was "back in action".
I never saw the man again, he died before I had a chance to make up for the insolence of my youth, all those times I rode off at pony club with my nose in the air, or declared at band practice that someone was 'not the boss of me'. There's probably something I should think of to tie this little anecdote up, finish it up with a concluding sentence but I just can't think what it is. Perhaps it is enough that I noticed him, that outside of his family and friends and the official mourning accompanying anyone who has achieved great things there is someone else who will remember him. Or maybe it isn't. I don't know, maybe I'm just feeling sentimental and in five minutes I will have forgotten all about everything.
He took a while moving between his seat and the merch table at the back of the hall, you could see his navigation systems were having some trouble and his legs, though willing, bowed and angled like they were bearing the weight of an eight-tonne truck and not the birdlike body of an elderly man. He fingered some of the merchandise, letting it slide between his fingers before putting it down again. He opened his wallet but came up a little short, I offered, because I was working the merch table, to let him pay the balance later, but he declined. Angling his head and taking a last look he went to walk away but his wife spotted him and came over. He politely enquired as to whether she might have some money about her person and pointed shyly to the merch.
The wife, elderly and impeccably groomed, gushed, "Of course you must have one my darling" and immediately produced a large amount of cash, in hundreds, from thin air. She might have been pompous if it wasn't for the tender glance she shot in her husband's direction. He fingered the merch once more before reverently choosing one and carefully stashing it in his battered old briefcase. Earlier in the proceedings he had introduced himself to me and proudly stated that he was back in action and ready to be of service once again. I had eyed him warily wondering if he wasn't a crackpot who'd wandered in from the street but was soon sure of his status in the group when The Captain of the not-for-profit made a show of shaking his hand.
At the time of the showy handshake I felt a shiver of disgust, not for the man but for the closed in world of not-for-profits. I found myself in a state of involuntary reverie about community marching bands and pony clubs. Those places seemed haunted by elderly people who did nothing but yell at children like me to sit up straighter on my pony or hold my clarinet at different angle. Back then I wondered why these elderly yelling people were tolerated when all they did was wear the club tie and yell and complain about things. I know better these days but at the moment of the showy handshake I felt a childlike urge to gallop off or deliberately play in the wrong key.
During the speeches, and the reading of the minutes and the chugging through of the agenda I watched the old man from my perch at the back of the room. I felt my own small tenderness for his dear old head as it bent over his shaky notes. I wondered what he was writing and why. The secretary was taking official minutes and the room was packed with emeritus academics who surely must have one or two memory cells between them. He persisted with his intense concentration and note-taking right through to the end of the proceedings.
When all the other academics and assorted official people were braying loudly over full cups of expensive wines and rocking back and forth on their heels in a mildly demented manner the old man was sitting lightly on a plastic chair in the corner. Every so often he would take a peek in his briefcase and stare fondly at his merchandise. I made a note to post him a receipt with a kind note, something simple about how the not-for-profit was terribly glad he was "back in action".
I never saw the man again, he died before I had a chance to make up for the insolence of my youth, all those times I rode off at pony club with my nose in the air, or declared at band practice that someone was 'not the boss of me'. There's probably something I should think of to tie this little anecdote up, finish it up with a concluding sentence but I just can't think what it is. Perhaps it is enough that I noticed him, that outside of his family and friends and the official mourning accompanying anyone who has achieved great things there is someone else who will remember him. Or maybe it isn't. I don't know, maybe I'm just feeling sentimental and in five minutes I will have forgotten all about everything.
What if there is no stream?
Always there is some larger struggle, ideologically, physically, emotionally. This week I despair at the low pay and unlikely nature of current job. Three years ago I kicked against an average income and full-time hours because it hurt my need for respite and writing. I had a thirst for time on my hands.
This week I have felt ignored by my employers who largely leave me to my own devices in an otherwise empty building. I have complained, loudly, to everyone I know that I wish to feel busy, used up by the end of the working day so that I may feel a sense of accomplishment and drop exhausted into an ordinary civilian slumber at the close of the day. Grizelda, who is wise in unexpected moments, told me to shut up and use any available time for working on my own projects like PAN or my manuscript. She said this job, apart from only just covering the rent, is ideal for my needs.
I wonder if she is right. Apart from the appallingly low pay* I seem to be swimming against an idea that was previously my ideal. Brushing my hair this morning, it was at midday but I wanted to give the impression I was more organised than I am, I remembered a horse rider I admired when I was ten years old. Her name was Glenda, she was a grown up with a firefighter husband, babies in prams and a beautiful black horse who was vicious and wily. I was forbidden from entering his stable without supervision. Glenda used to waltz in and out of this stable without caution or alarm, drape her arm across the beast and laugh if he turned from his hay net to make a face and bare his enormous teeth at her. Unlike the stable supervisor Glenda had no trouble handling this horse at all**.
Glenda had long red hair, hanging thick and heavy to nearly her waist. She always, every day, wore her hair in plaits. I longed to make such a firm decision as Glenda seemed to, to decide on one way of wearing my hair and stick to it every day for the rest of my life. I wore my hair in plaits for three days then became bored and attempted a Princess Leia style before wishing it all chopped off like a lady in a Scott F Fitzgerald novel. I was an annoyingly precocious reader.
It bothered me that I was unable to take one thing and absorb it seamlessly into my way of being. I felt always to be swimming upstream, from the way I brushed my teeth to which breakfast cereal I preferred in the mornings. People I admired seemed to be people of habit, resolute in their ways and this was accepted if not admired in them. I struggled to make decisions about everything, final decisions, to form habits, routines, things I always preferred or did or said. My mother had definite habits, sitting on a series of strange ergonomic stools with a dog at her feet as she wrote her latest thesis. My father would spend days doing boring chores, lawns, gardens, cleaning, organising, then sit exhausted and watch a bad movie on television before suddenly taking up a pencil and beginning all over again the extravagant and immersive experience of designing and building something beautiful from scratch.
I change my mind from moment to moment, any long-term decision is likely to be discarded five minutes after its declaration. I seem unable to choose a single goal or way of being and working resolutely towards its completion. My existence feels more fluid than it ought to, water running over everybody else's levels, never really settling always wanting to move on, down, forward and assault the land mass with arched innumerable lashes.
I wanted a part-time job so that I would have time. I was looking for a job and then I found a job and heaven knows I'm tired of being miserable now. Also there didn't really seem to be a point to this post, other than the quick expulsion of several loosely connected thoughts. Perhaps I am working something out.
*On being offered this job I clumsily negotiated for a higher rate of pay. After being told I was successful in my bid to be paid at a higher rate they informed me I would be working five less hours a week than the previous employee thus ending up with even less in hand than I thought I would be. Fuckers.
**Until the moment of his tragic death when she quite understandably entirely lost her shit and did not get it back for quite some time.
This week I have felt ignored by my employers who largely leave me to my own devices in an otherwise empty building. I have complained, loudly, to everyone I know that I wish to feel busy, used up by the end of the working day so that I may feel a sense of accomplishment and drop exhausted into an ordinary civilian slumber at the close of the day. Grizelda, who is wise in unexpected moments, told me to shut up and use any available time for working on my own projects like PAN or my manuscript. She said this job, apart from only just covering the rent, is ideal for my needs.
I wonder if she is right. Apart from the appallingly low pay* I seem to be swimming against an idea that was previously my ideal. Brushing my hair this morning, it was at midday but I wanted to give the impression I was more organised than I am, I remembered a horse rider I admired when I was ten years old. Her name was Glenda, she was a grown up with a firefighter husband, babies in prams and a beautiful black horse who was vicious and wily. I was forbidden from entering his stable without supervision. Glenda used to waltz in and out of this stable without caution or alarm, drape her arm across the beast and laugh if he turned from his hay net to make a face and bare his enormous teeth at her. Unlike the stable supervisor Glenda had no trouble handling this horse at all**.
Glenda had long red hair, hanging thick and heavy to nearly her waist. She always, every day, wore her hair in plaits. I longed to make such a firm decision as Glenda seemed to, to decide on one way of wearing my hair and stick to it every day for the rest of my life. I wore my hair in plaits for three days then became bored and attempted a Princess Leia style before wishing it all chopped off like a lady in a Scott F Fitzgerald novel. I was an annoyingly precocious reader.
It bothered me that I was unable to take one thing and absorb it seamlessly into my way of being. I felt always to be swimming upstream, from the way I brushed my teeth to which breakfast cereal I preferred in the mornings. People I admired seemed to be people of habit, resolute in their ways and this was accepted if not admired in them. I struggled to make decisions about everything, final decisions, to form habits, routines, things I always preferred or did or said. My mother had definite habits, sitting on a series of strange ergonomic stools with a dog at her feet as she wrote her latest thesis. My father would spend days doing boring chores, lawns, gardens, cleaning, organising, then sit exhausted and watch a bad movie on television before suddenly taking up a pencil and beginning all over again the extravagant and immersive experience of designing and building something beautiful from scratch.
I change my mind from moment to moment, any long-term decision is likely to be discarded five minutes after its declaration. I seem unable to choose a single goal or way of being and working resolutely towards its completion. My existence feels more fluid than it ought to, water running over everybody else's levels, never really settling always wanting to move on, down, forward and assault the land mass with arched innumerable lashes.
I wanted a part-time job so that I would have time. I was looking for a job and then I found a job and heaven knows I'm tired of being miserable now. Also there didn't really seem to be a point to this post, other than the quick expulsion of several loosely connected thoughts. Perhaps I am working something out.
*On being offered this job I clumsily negotiated for a higher rate of pay. After being told I was successful in my bid to be paid at a higher rate they informed me I would be working five less hours a week than the previous employee thus ending up with even less in hand than I thought I would be. Fuckers.
**Until the moment of his tragic death when she quite understandably entirely lost her shit and did not get it back for quite some time.
Return from the south pole
I have installed tins of peaches, cordial, jelly, soy milk and half a peanut butter sandwich in my office fridge. Coffee on the shelf above the sink.This has failed to have impact on anything except the ability to abate sensations of hunger or thirst.
I had imagined the process of deliberately equipping the office with personal comforts might effect the low resonant tolling of what feels like a submerged death knell. It has not. Peanut butter remains powerless against the darker forces of the universe, this is a great and burning shame.
I had imagined the process of deliberately equipping the office with personal comforts might effect the low resonant tolling of what feels like a submerged death knell. It has not. Peanut butter remains powerless against the darker forces of the universe, this is a great and burning shame.
First lady
First woman back in the office this year, only woman in the office this year, only human actually. At my non-PAN job, a horrid necessity, I am the only employee. The solitary and isolated nature of the job opens up all sorts of opportunities but so far I have limited it to loud music, dancing, throwing shoes and tying hair back in unflattering manner. I'm sure I'll think of something more exciting soon. Tomorrow I might attempt to use all the coffee mugs at once.
A letter to F. in Western Australia
Dearest F.,
I've been slaving in an office for a few weeks, editing video titles and adding the appropriate rating. G. PG. M. MA. Tedious just about covers it. As usual I am dubiously and sporadically employed by real organisations. The rest of my time is spent more wisely on editing PAN magazine, making notes and drafting things for my manuscript and generally running about looking at things and wishing I didn't notice every tiny detail about everything. The footpath just three houses down the street has begun to exaggerate its folded crease as the tree roots underneath swell with time.
Last weekend I travelled to Canberra with my brother and his girlfriend to visit Dad and the other wonders of our nation's capital. I found them to be much the same as last time I saw them, which is good in the case of my father. My brother and I planned to take advantage of Canberra's lax stance on smoking pot and get high in a hedge maze by the lake. When we got there the hedge maze was missing. The miniature train driver said the government had the hedges removed. I was wondering if maybe too many people had the same idea and there was a meeting in parliament about whether or not the government ought to provide a large hedge maze in which stoned people frequently ran about in and got lost. It was a great shame about the hedge maze. I was hoping to able to sell my brother to someone dressed as David Bowie.
Several weeks ago I was invited to read a short story at Penguin Plays Rough. I decided definitely not to do it due to high internal levels of fear. I was however forced to do it by the inimitable Pip Smith who runs the show. In the end I did not vomit, faint or run away and the thing was got through tolerably well. After the reading Spencer and I drank an enormous volume of beer, Pip folded a sum of money into the palm of my hand and it turned out to be the highest paid ten minutes I have spent in my life. Unless you count inheritances, of which there have not been many, but it doesn't take more than a minute for someone to die. On second thoughts that's not really earning is it? Now if I murdered someone and inherited money from that act then it might be considered earning I suppose, so no earning at all in this case.
Yesterday my mother telephoned to yell at me. Fortunately I was not the topic of her yelling, she needed to express some violent anger on a topic and decided I would do. After the yelling ceased she instructed me to get myself down to the harbour and report on the water. In an amazing coincidence that had been my intention all along. I rode the train down through the tunnels under the city until it emerged suddenly, without seeming to climb, at Circular Quay. The day looked a grey one but I was unsure as to the real colour of things as I was wearing unfamiliar sunglasses. The sunglasses belong to a friend of mine. He gave me a lift home in his car and in order to avoid sitting on the things I stuck them in my pocket. My only failure was I did not take them back out of my pocket again until I was inside The Peach. I have confessed my accidental crime to him so I do not feel as guilty as I otherwise might.
My only purpose for going down to the harbour was to visit the Satyr statue by Francis (Guy) Lynch. It was placed in the botanical gardens, just near the Opera House gate sometime in the 1970's, I believe it was originally sculpted in the 1920's. The face of the statue is reportedly based on Guy's brother Joe Lynch. Joe is the subject of Slessor's brilliant lament Five Bells. Five Bells is of course wildly popular, one of those Australian poems repeatedly set in the school's English curriculum forever and a day but I don't think you should hold that against it. The first time I properly read the poem I was at university and definitely uninterested in all things poetic. At the time I wanted violent contemporary fiction and wildly intellectual essays and nothing else at all would do. I read the thing because I had to, but made no internal note of it.
It wasn't until I was hanging over the railing of a ferry searching for jelly fish and ghosts that I remembered this line, "Deep and dissolving verticals of light". I hung perilously over the ship's railing reciting, "Deep and dissolving verticals of light", and watching the light split the "waves with diamond quills and combs of light" and plunge single-fingered through water, fish and ghosts and time waving weed that I remembered the poem at all. Bloody hell a lit match head just flung itself off the end of the match and scorched a permanent mark between the 'v' and the 'b' on my laptop. I suppose I should give up on matches and move across into lighters but I do love the sound of match being struck, nothing quite like it.
All the notes and drafts for my manuscript cross and recross the harbour. The idea of Joe Lynch seems submerged not just in our national poetic consciousness and the harbour itself but in all of my recent thought. It is possible that I have fallen in love with the man, this "Joe, long dead, who lives between between the five bells."
I was distressed to hear of the recent loss of one of your friends. I hope that you can find some solace in your impending adventure overseas. Write to me dear F. for I always miss you. Here now is a photograph I took of myself with Old Joe.
I've been slaving in an office for a few weeks, editing video titles and adding the appropriate rating. G. PG. M. MA. Tedious just about covers it. As usual I am dubiously and sporadically employed by real organisations. The rest of my time is spent more wisely on editing PAN magazine, making notes and drafting things for my manuscript and generally running about looking at things and wishing I didn't notice every tiny detail about everything. The footpath just three houses down the street has begun to exaggerate its folded crease as the tree roots underneath swell with time.
Last weekend I travelled to Canberra with my brother and his girlfriend to visit Dad and the other wonders of our nation's capital. I found them to be much the same as last time I saw them, which is good in the case of my father. My brother and I planned to take advantage of Canberra's lax stance on smoking pot and get high in a hedge maze by the lake. When we got there the hedge maze was missing. The miniature train driver said the government had the hedges removed. I was wondering if maybe too many people had the same idea and there was a meeting in parliament about whether or not the government ought to provide a large hedge maze in which stoned people frequently ran about in and got lost. It was a great shame about the hedge maze. I was hoping to able to sell my brother to someone dressed as David Bowie.
Several weeks ago I was invited to read a short story at Penguin Plays Rough. I decided definitely not to do it due to high internal levels of fear. I was however forced to do it by the inimitable Pip Smith who runs the show. In the end I did not vomit, faint or run away and the thing was got through tolerably well. After the reading Spencer and I drank an enormous volume of beer, Pip folded a sum of money into the palm of my hand and it turned out to be the highest paid ten minutes I have spent in my life. Unless you count inheritances, of which there have not been many, but it doesn't take more than a minute for someone to die. On second thoughts that's not really earning is it? Now if I murdered someone and inherited money from that act then it might be considered earning I suppose, so no earning at all in this case.
Yesterday my mother telephoned to yell at me. Fortunately I was not the topic of her yelling, she needed to express some violent anger on a topic and decided I would do. After the yelling ceased she instructed me to get myself down to the harbour and report on the water. In an amazing coincidence that had been my intention all along. I rode the train down through the tunnels under the city until it emerged suddenly, without seeming to climb, at Circular Quay. The day looked a grey one but I was unsure as to the real colour of things as I was wearing unfamiliar sunglasses. The sunglasses belong to a friend of mine. He gave me a lift home in his car and in order to avoid sitting on the things I stuck them in my pocket. My only failure was I did not take them back out of my pocket again until I was inside The Peach. I have confessed my accidental crime to him so I do not feel as guilty as I otherwise might.
My only purpose for going down to the harbour was to visit the Satyr statue by Francis (Guy) Lynch. It was placed in the botanical gardens, just near the Opera House gate sometime in the 1970's, I believe it was originally sculpted in the 1920's. The face of the statue is reportedly based on Guy's brother Joe Lynch. Joe is the subject of Slessor's brilliant lament Five Bells. Five Bells is of course wildly popular, one of those Australian poems repeatedly set in the school's English curriculum forever and a day but I don't think you should hold that against it. The first time I properly read the poem I was at university and definitely uninterested in all things poetic. At the time I wanted violent contemporary fiction and wildly intellectual essays and nothing else at all would do. I read the thing because I had to, but made no internal note of it.
It wasn't until I was hanging over the railing of a ferry searching for jelly fish and ghosts that I remembered this line, "Deep and dissolving verticals of light". I hung perilously over the ship's railing reciting, "Deep and dissolving verticals of light", and watching the light split the "waves with diamond quills and combs of light" and plunge single-fingered through water, fish and ghosts and time waving weed that I remembered the poem at all. Bloody hell a lit match head just flung itself off the end of the match and scorched a permanent mark between the 'v' and the 'b' on my laptop. I suppose I should give up on matches and move across into lighters but I do love the sound of match being struck, nothing quite like it.
All the notes and drafts for my manuscript cross and recross the harbour. The idea of Joe Lynch seems submerged not just in our national poetic consciousness and the harbour itself but in all of my recent thought. It is possible that I have fallen in love with the man, this "Joe, long dead, who lives between between the five bells."
I was distressed to hear of the recent loss of one of your friends. I hope that you can find some solace in your impending adventure overseas. Write to me dear F. for I always miss you. Here now is a photograph I took of myself with Old Joe.
Stupid problems are still problems
Sunlight is visible through windows. It looks warm. I suppose everything is going on out there like it always is but I'm not going out into the light. Not today.
I've been interviewed too many times, become confused by many be-suited versions of myself held up for inspection. There comes a point in every job interview where the interviewers say one thing that sparks a ripple of alarm. One point that makes it clear that I don't want to work there. Couldn't possibly stomach the day-to-day swallowing of that brand of shit and they know it. The atmosphere shifts subtly, my interview-mask stays firmly stapled but everybody in the room understands that I'm not the best person for the job.
This is the stupidest problem to have. Can it not simply be understood that I will not like it but that does not matter?
I've been interviewed too many times, become confused by many be-suited versions of myself held up for inspection. There comes a point in every job interview where the interviewers say one thing that sparks a ripple of alarm. One point that makes it clear that I don't want to work there. Couldn't possibly stomach the day-to-day swallowing of that brand of shit and they know it. The atmosphere shifts subtly, my interview-mask stays firmly stapled but everybody in the room understands that I'm not the best person for the job.
This is the stupidest problem to have. Can it not simply be understood that I will not like it but that does not matter?
Clockwork rising
I haven't stopped paying attention. Night sounds still crowd my ancient windows while the cat bolts under the blankets on top of my bed. She'll burrow and curl herself into a dear little bat-eared knot. Wait out the worst of the overnight cold with her measured breaths and unconscious whirrings. She'll emerge at a predetermined signal, known only to cats, step delicately across my shoulders and face. Paw to nose, paw to eye, paw to hair.
I might sleep through bat-eared whirrings and the hallway pulling cold breaths under doorways until well past first light. I may sit all night bent as a bachelor over hand-written piles of nothing or like last night I might lean back upon pillows and read through the hours of other people's words.
Some people ask me if I would be so kind as to read what they have written and tell them what I think. This happens more frequently than it used to, I suspect it has something to do with being the editor of a magazine. I always used to say no, some writers are horrifyingly precious, won't even take a modicum of measured feedback given gently, with sugar, in a positive light. Witnessing floods of tears followed by defensive justifications is not my idea of a good afternoon. Of course there are always people I will read for, writers who have the good grace to ask for an opinion only when they genuinely want one.
I was sent some writing the other day, parts of a journal not yet worked up into something bigger. He would like to know my opinion on whether or not they are worth the working. I debated whether or not to say yes. Not because he is precious or a terrible writer but because one of the great joys of my existence is reading other people's journals or diaries or scrawlings, notes, jottings, ideas, brain blurts. Anything that was written just for them. I took a moment to balance my desires. It seemed possible that if I said yes it would be to satisfy my own urge as a favour to myself and not to him.
It is not the first time he has sent me something to read, he is someone who knows what they are doing and would not send through pages without thinking it through first, so I said yes and I'm glad that I did.
There is nothing more magnificent than a writer with an open throttle, when thought and language combine in lightning fast unconscious combinations. All the good bare bones are there on those pages, whole paragraphs of flowing prose shot through with real and jagged ideas still hot and bloody. I adore this stage of other people's work. Every word is a footstep further into the usually guarded mind, sentences are raw and intentions unclear. I feel like a scientist with a microscope wondering at new puzzles of the universe. It is the very best reason for staying up late, a silent joyful worship for the absence of a clockwork rising.
I might sleep through bat-eared whirrings and the hallway pulling cold breaths under doorways until well past first light. I may sit all night bent as a bachelor over hand-written piles of nothing or like last night I might lean back upon pillows and read through the hours of other people's words.
Some people ask me if I would be so kind as to read what they have written and tell them what I think. This happens more frequently than it used to, I suspect it has something to do with being the editor of a magazine. I always used to say no, some writers are horrifyingly precious, won't even take a modicum of measured feedback given gently, with sugar, in a positive light. Witnessing floods of tears followed by defensive justifications is not my idea of a good afternoon. Of course there are always people I will read for, writers who have the good grace to ask for an opinion only when they genuinely want one.
I was sent some writing the other day, parts of a journal not yet worked up into something bigger. He would like to know my opinion on whether or not they are worth the working. I debated whether or not to say yes. Not because he is precious or a terrible writer but because one of the great joys of my existence is reading other people's journals or diaries or scrawlings, notes, jottings, ideas, brain blurts. Anything that was written just for them. I took a moment to balance my desires. It seemed possible that if I said yes it would be to satisfy my own urge as a favour to myself and not to him.
It is not the first time he has sent me something to read, he is someone who knows what they are doing and would not send through pages without thinking it through first, so I said yes and I'm glad that I did.
There is nothing more magnificent than a writer with an open throttle, when thought and language combine in lightning fast unconscious combinations. All the good bare bones are there on those pages, whole paragraphs of flowing prose shot through with real and jagged ideas still hot and bloody. I adore this stage of other people's work. Every word is a footstep further into the usually guarded mind, sentences are raw and intentions unclear. I feel like a scientist with a microscope wondering at new puzzles of the universe. It is the very best reason for staying up late, a silent joyful worship for the absence of a clockwork rising.
Nor breath nor motion
I can't remember how it all goes.
We stuck, nor breath nor motion;
As idle as a painted ship
Upon a painted ocean.
Upon a painted ocean.
But I don't suppose it matters. The venue for yesterday's horrifically frightening job interview had those words painted across the office walls and I keep wondering why. Was it just because it mentioned ships? They have something of a maritime streak running through their core business. It was one of those frightening interviews, a full panel, them loaded with tea cups and reference papers, me on an armchair feeling marooned and a little at sea. It was neither bad nor good. I could have been better but there is always in everything room for improvement. My hours of preparation seemed to leave me unprepared, I had not correctly guessed at what they might ask, nor why. There was the one obligatory 'what attracted you to apply for this role' question which I was prepared for but at the last moment discarded my rehearsed answer and went in a peculiar direction. It felt like neither a bad nor good idea. It is notoriously difficult to judge the outcome of these kinds of things. They informed me it will be several weeks before they have a final answer and I discover whether or not I shall be obliged to pass under Coleridge's haunting words each morning.
I walked hunched and freezing from the interview, down by the waterside to the long and ancient wharf where Grizelda works. I was dodging hale like bullets, throwing up a wake of water with my heels. I was aiming like an arrow towards a place where I was already known, where I didn't have to attempt to explain and re-explain my whole being in three sentences or less at four minute intervals. I sat on the curiously placed lounges in Grizelda's workplace and whiled away half an hour talking amongst her colleagues. Nothing of any importance was said but it was almost enough to reset me back into being, just sitting in a place where people know my name.
Today I have neither breath nor motion. I made my tea with knots of rope, dropped sails down the mast to fashion into dresses. It is difficult to determine if I am sleeping or awake. But is not unpleasant. I am here inside The Peach warm and dry in drastic contrast to yesterday's encounter with the elements. When I arrived home I hauled off my boots and tipped out genuine puddles of water, I peeled off three layers of saturated clothes and spent ten minutes under the hot jet of the shower before I began to feel any kind of warm at all. I'm beginning to wonder if these elemental trials of woman versus nature are an ordinary part of the job seeking process.
Important points to remember not to mention at tomorrow's frightening job interview
- My imaginary submarine.
- Obsessive recurring thoughts about discovering Antarctica.
- Tendency to attempt to calculate my longitude by chronometer when seated at cafes.
- Voyages on my imaginary submarine.
- That summer I spent snorkelling in an inland swimming hole.
- Being frightened by the idea of falling off the continental shelf.
- Design plans for the unitard uniforms on my imaginary submarine.
- Spooking like startled a horse every time I see a fish whilst snorkelling.
- My drawings of a diving helmet for my cat.
- My fervent wish to attach a mast to the roof of The Peach and be the first person to sail a house to the supermarket and back again.
- That time I dove into the midnight ocean yelling, 'don't worry I'll be fine but if I'm not just tell my mother I was taken by the sea'.
- The two litre plastic bottle full of sea water I keep under the sink in case of ocean-needing emergency or similar.
- That I wrote a list of points to remember not to mention.
The enormously frightening job interview
On my way to The Enormously Frightening Job Interview I was telephoned by another employer and asked to attend Another Enormously Frightening Job Interview next week. So long as I am not averaging more than one a week I think I can cope with this ratio of reality/abnormal fear and only use the usual amount of underpants in a week. In other news Grizelda has super vomit, she vomited in the bathroom two days ago and the smell is as fresh as if it were a steaming pile upon the floor. We have discovered a new kind of very mild superpower.
SLAMMATOWN: Mad Men Strike Back
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| Illo by Onnie Cleary |
A long, long time ago in a galaxy far away I was interviewed for a new job. I didn’t realise I was in a different time zone and galaxy until after the interview concluded and I was spat back out into a normal Wednesday afternoon in Sydney. It was then that it hit me, something really fucked had just happened.
After shaking my hand and sitting me down she launched into the first of many stupendous and terrifying rants. She told me she hated my resume, all of it, from the font to the layout. She ranted for ten full minutes while I sat and wondered just why in fuck was interviewing me if she hated my resume so much.
The interviewer interspersed her ranting with comments about how great I was, how smart I was, how many qualifications I had. I was entering an advanced state of confusion when she kicked it up another gear and started to really go for it. She hated my hair, said she’d never seen hair so unprofessional before. I was going to mention that we had almost identical haircuts it was just that my hair is wavy and hers is straight when she started on my shoes.
I was wearing the wrong kind of shoes, apparently only an idiot goes to a job interview wearing flat shoes. She stood up to demonstrate how she was wearing high heels, pulled up the leg of her trousers so I could properly view her shoes. After the ‘one must always wear high heels’ rant she started on the rest of me. Fortunately she decided that my face would have to do because she didn’t suppose anything could be done about that, apart from more make up. The horrifying conclusion of this job interview is that she thinks I would be fantastic for the job but I have to be interviewed again first, just to make sure. She said she’d give me a couple of days to ‘do something’ about my hair, my shoes and my wardrobe.
I have to confess I’ve been obsessed with watching Mad Men. I came a little late to this party, most people I know started and finished their own Mad Men obsessions some time ago. What everyone failed to mention about Mad Men is how horrifying it is. Everyone talked about the fashion, the cigarettes, the stupid men with their suits and slicked down hair but not the horrifying slow reveal of repression and oppression. How the women were judged more on their legs than their ability to do the job well.
In the first episode of Mad Men the new girl gets a proper going over, everything is commented on from her hair to her shoes. I remember thinking how glad I was that that kind of shit was over years ago, nothing like that could possibly happen to me, not now in 2011 when the most important thing is having the skill, aptitude and qualifications to perform well in a job. As usual it turns out I was wrong.
Gilded carnival chariots, six lanes of traffic, an intimate drunken embrace and Algeria
On the bus I was momentarily overtaken by the memory a gilded carnival chariot. I was reading Camus, The American Journals. My remembered giant cart was nightly towed around the festival grounds at Woodford, by the Hari Krishnas I think. One clear memory of unfettered delight. It was a heavy thing, decorated wildly in a style from last century, towed with great braided ropes by clamorous groups heaving through the thick air. A heavy air made tolerable only by the setting of the sun. I think of it as painted shining and white, several stories high with no practical purpose. A machine built for joy.
Camus slapped me with his spare prose. Every clean sentence the tip of an iceberg. I should always return to books like these, writers' notebooks of observations and ideas, like a dancer returns to the barre.
It has been about a month since I last saw Leif. I think I call him Leif here, or Leaf or Tree or River or some such name but there he was at Central Station striding towards me to wait for the same train. His beard seems incredulously long. He wasn't staggering or ginger of stride but his immediate confession, as he fell into one of his intimate embraces, was that he was quite probably still drunk from last night and running hideously late for work.
I have now the urge to leave the cafe where I sit to cross the road and be tattooed with something ill-advised. This is the same urge to write. Make visible marks representing an interior feeling.
I was on my way to a job interview when I ran into Leif. He has been having difficulty securing a lease on somewhere new to live. He said he is good on paper, same good job for years and years, steady rental history. I should have remarked that he is good off-paper as well. Though he is sometimes petulant the source is always love. I often suppress the urge to build a good fence around him, not to contain him but to provide him with an impenetrable place of safety. Most people build their own borders but either he does not know how or he is so used to being invaded he has discarded any notions of sovereignty.
He was a companionable distraction on what might have been an anxious journey. I briefly became lost on the way to the office but in a fit of calm adulthood I telephoned for directions. I was violently reminded about the land of cars as I walked around the business park in North Ryde. Six lane roads and not a fellow pedestrian in sight. As I made note of the directions I was desperately hoping not to be sucked out of the poor shade a of a young eucalypt and into the screaming traffic by the jet wash of a passing truck.
I know almost nothing about Algeria. Some places I imagine dusty and hot. I am content with a vague notion of white walls and outside, in sparse shade, some scratching chickens.
The man who interviewed me was undoubtedly delectable. He shifted between consciously projecting a businesslike charm and inadvertently revealing something of his true nature. I imagine his childhood home was solid and well-furnished. The same good curtains hanging in windows for most of his life. He has a steadiness about him, whether recently constructed or an innate feature of his person I have no idea. I have developed a curiosity about him. It itches at me to be left with only the imaginary texture of his life.
Camus slapped me with his spare prose. Every clean sentence the tip of an iceberg. I should always return to books like these, writers' notebooks of observations and ideas, like a dancer returns to the barre.
It has been about a month since I last saw Leif. I think I call him Leif here, or Leaf or Tree or River or some such name but there he was at Central Station striding towards me to wait for the same train. His beard seems incredulously long. He wasn't staggering or ginger of stride but his immediate confession, as he fell into one of his intimate embraces, was that he was quite probably still drunk from last night and running hideously late for work.
I have now the urge to leave the cafe where I sit to cross the road and be tattooed with something ill-advised. This is the same urge to write. Make visible marks representing an interior feeling.
I was on my way to a job interview when I ran into Leif. He has been having difficulty securing a lease on somewhere new to live. He said he is good on paper, same good job for years and years, steady rental history. I should have remarked that he is good off-paper as well. Though he is sometimes petulant the source is always love. I often suppress the urge to build a good fence around him, not to contain him but to provide him with an impenetrable place of safety. Most people build their own borders but either he does not know how or he is so used to being invaded he has discarded any notions of sovereignty.
He was a companionable distraction on what might have been an anxious journey. I briefly became lost on the way to the office but in a fit of calm adulthood I telephoned for directions. I was violently reminded about the land of cars as I walked around the business park in North Ryde. Six lane roads and not a fellow pedestrian in sight. As I made note of the directions I was desperately hoping not to be sucked out of the poor shade a of a young eucalypt and into the screaming traffic by the jet wash of a passing truck.
I know almost nothing about Algeria. Some places I imagine dusty and hot. I am content with a vague notion of white walls and outside, in sparse shade, some scratching chickens.
The man who interviewed me was undoubtedly delectable. He shifted between consciously projecting a businesslike charm and inadvertently revealing something of his true nature. I imagine his childhood home was solid and well-furnished. The same good curtains hanging in windows for most of his life. He has a steadiness about him, whether recently constructed or an innate feature of his person I have no idea. I have developed a curiosity about him. It itches at me to be left with only the imaginary texture of his life.
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