I seem to have accidentally joined a hypothetical band with Adam Lewis* and Matt Banham. When I say joined what I mean is bullied into saying "Maria" when pointed at by Banham while Lewis croons a long 'ooooo'. I think we will be very popular.
I've never met Matt Banham before but people, like P. Street tell me that I should have. The first thing Banham ever said to me, and other people in the room, was a long drunken tale about shitting his pants twenty minutes from home. Yes it was crass but not quite as crude, when listened to first-hand, as the story Rhys Muldoon told about concocting fake santorum in his kitchen to fool Ben Mendelsohn with. I do not know why this occurred, or when.
I knew it was going to be a strange night when Mr X cancelled last minute, citing exhaustion. It's a good thing he is not a celebrity, we all know what 'exhaustion' means when someone is a celebrity. In the case of Mr X I suspect it was a case of being very tired indeed. The strangeness began when I immediately rang and booked a taxi for myself without pausing or making a clear strategy for using in case of emergencies, which is what I usually do when I have to get picked up in a taxi by myself. This time I calmly thought oh well Mr X is tired, sucks to be him, and then went about my solo-taxi business. The taxi cost five million and twelve dollars and fiftybillion cents, due to traffic. Strange event number two, I cared only mildly.
Many odd things occurred but none so odd as my catching the train without bothering to look at where the train was going, after I had already decided to catch a taxi home. I wound up on a fast train to Bankstown, for those who don't know where that is don't worry I don't either. Judging from the other passengers on the train it is a sub-level of hell. I had some time to think, on the trains, about the oddness of the evening. It is a great shame that I am now too exhausted to write about it, a great shame indeed.
It is good though that no one has changed any of the signs at Central Station so that they read Entrail. This would be possible by the simple removal of the letter C and the small addition of an I.
* Listen to Adam Lewis's radio show, it's quite good.
Oh and the reason I left the house with box of PAN magazines was to attend A.H. Cayley's Confession Booth. A.H. is the Chief Sub-Editor of PAN magazine and once pulled all the legs off a spider, I believe she was an infant when the leg-pulling incident occurred.
Showing posts with label Ponies Are Necessary. Show all posts
Showing posts with label Ponies Are Necessary. Show all posts
You are boring
Work - challenging (in an odd but not bad way)
Home - peaceful (and mildly clean)
Friends - all fine (unless they are pretending)
Family - no problems (and presumably still alive)
Manuscript - going (yes)
PAN - in progress (a way to go but in progress)
BORING.
All work and no play makes Dale a dull girl.
I'm not seducing disaster, merely making an observation, pass me the champagne.
Home - peaceful (and mildly clean)
Friends - all fine (unless they are pretending)
Family - no problems (and presumably still alive)
Manuscript - going (yes)
PAN - in progress (a way to go but in progress)
BORING.
All work and no play makes Dale a dull girl.
I'm not seducing disaster, merely making an observation, pass me the champagne.
Difficulty upon difficulties
It is harder than one might imagine to draft a letter to Jeff Goldblum.
Hyde Park might be growing on me
Neither Spencer nor I were expecting to enjoy the event. Being invited as 'magazine editors' to a VIP event hosted by an alcohol brand as part of the Sydney Festival was a fairly unattractive proposition but when we got there we changed our minds.
Sydney is capable of pulling up her smog-soaked gown and being suddenly jaw-droppingly beautiful. Spencer and I were sitting in a temporary beer garden in the middle of Hyde Park when he said something along the lines of "Look that way if you want to see something nice". It wasn't nice, it was fucking spectacular. Through the waving green window of a canopy of trees the last light of the day was spilling rose and gold across the old sandstone cathedral and the sky, we all know about those.
We were photographed, plied with free drinks, fed with free prawns and then gently ushered into a plywood contraption they were calling a hunting lodge. The hunting lodge was complete with fake fire, fake antlers on the walls and roaming models in orange hot pants and peculiar hats. After a drink or two the modestly sized building began to take on a genuine feeling of being a hunting lodge. At least what I imagine an actual hunting lodge might be like, there aren't any of those hanging around in Sydney, usually.
We wandered about from bar to garden and back again, taking advantage of the free drinks, until we were once again gently ushered into the hunting lodge. Without fanfare a band began to play and Tim Finn popped up as though beamed in from outer space and jumped straight into 'Six Months in a Leaky Boat'.
Thirty seconds into the set I was hooked. I suppose I should have known that by now Tim Finn is a man who knows how to perform. He brought a surprising raw intensity to his performance, I barely looked away until it was over. The whole crowd felt like it was one communal splitting grin.
I had no idea how brilliant seeing Tim Finn playing a small fake hunting lodge would turn out to be so thank you Sydney Festival, and alcohol brand with a bottomless marketing budget, thank you.
Sydney is capable of pulling up her smog-soaked gown and being suddenly jaw-droppingly beautiful. Spencer and I were sitting in a temporary beer garden in the middle of Hyde Park when he said something along the lines of "Look that way if you want to see something nice". It wasn't nice, it was fucking spectacular. Through the waving green window of a canopy of trees the last light of the day was spilling rose and gold across the old sandstone cathedral and the sky, we all know about those.
We were photographed, plied with free drinks, fed with free prawns and then gently ushered into a plywood contraption they were calling a hunting lodge. The hunting lodge was complete with fake fire, fake antlers on the walls and roaming models in orange hot pants and peculiar hats. After a drink or two the modestly sized building began to take on a genuine feeling of being a hunting lodge. At least what I imagine an actual hunting lodge might be like, there aren't any of those hanging around in Sydney, usually.
We wandered about from bar to garden and back again, taking advantage of the free drinks, until we were once again gently ushered into the hunting lodge. Without fanfare a band began to play and Tim Finn popped up as though beamed in from outer space and jumped straight into 'Six Months in a Leaky Boat'.
Thirty seconds into the set I was hooked. I suppose I should have known that by now Tim Finn is a man who knows how to perform. He brought a surprising raw intensity to his performance, I barely looked away until it was over. The whole crowd felt like it was one communal splitting grin.
I had no idea how brilliant seeing Tim Finn playing a small fake hunting lodge would turn out to be so thank you Sydney Festival, and alcohol brand with a bottomless marketing budget, thank you.
What if there is no stream?
Always there is some larger struggle, ideologically, physically, emotionally. This week I despair at the low pay and unlikely nature of current job. Three years ago I kicked against an average income and full-time hours because it hurt my need for respite and writing. I had a thirst for time on my hands.
This week I have felt ignored by my employers who largely leave me to my own devices in an otherwise empty building. I have complained, loudly, to everyone I know that I wish to feel busy, used up by the end of the working day so that I may feel a sense of accomplishment and drop exhausted into an ordinary civilian slumber at the close of the day. Grizelda, who is wise in unexpected moments, told me to shut up and use any available time for working on my own projects like PAN or my manuscript. She said this job, apart from only just covering the rent, is ideal for my needs.
I wonder if she is right. Apart from the appallingly low pay* I seem to be swimming against an idea that was previously my ideal. Brushing my hair this morning, it was at midday but I wanted to give the impression I was more organised than I am, I remembered a horse rider I admired when I was ten years old. Her name was Glenda, she was a grown up with a firefighter husband, babies in prams and a beautiful black horse who was vicious and wily. I was forbidden from entering his stable without supervision. Glenda used to waltz in and out of this stable without caution or alarm, drape her arm across the beast and laugh if he turned from his hay net to make a face and bare his enormous teeth at her. Unlike the stable supervisor Glenda had no trouble handling this horse at all**.
Glenda had long red hair, hanging thick and heavy to nearly her waist. She always, every day, wore her hair in plaits. I longed to make such a firm decision as Glenda seemed to, to decide on one way of wearing my hair and stick to it every day for the rest of my life. I wore my hair in plaits for three days then became bored and attempted a Princess Leia style before wishing it all chopped off like a lady in a Scott F Fitzgerald novel. I was an annoyingly precocious reader.
It bothered me that I was unable to take one thing and absorb it seamlessly into my way of being. I felt always to be swimming upstream, from the way I brushed my teeth to which breakfast cereal I preferred in the mornings. People I admired seemed to be people of habit, resolute in their ways and this was accepted if not admired in them. I struggled to make decisions about everything, final decisions, to form habits, routines, things I always preferred or did or said. My mother had definite habits, sitting on a series of strange ergonomic stools with a dog at her feet as she wrote her latest thesis. My father would spend days doing boring chores, lawns, gardens, cleaning, organising, then sit exhausted and watch a bad movie on television before suddenly taking up a pencil and beginning all over again the extravagant and immersive experience of designing and building something beautiful from scratch.
I change my mind from moment to moment, any long-term decision is likely to be discarded five minutes after its declaration. I seem unable to choose a single goal or way of being and working resolutely towards its completion. My existence feels more fluid than it ought to, water running over everybody else's levels, never really settling always wanting to move on, down, forward and assault the land mass with arched innumerable lashes.
I wanted a part-time job so that I would have time. I was looking for a job and then I found a job and heaven knows I'm tired of being miserable now. Also there didn't really seem to be a point to this post, other than the quick expulsion of several loosely connected thoughts. Perhaps I am working something out.
*On being offered this job I clumsily negotiated for a higher rate of pay. After being told I was successful in my bid to be paid at a higher rate they informed me I would be working five less hours a week than the previous employee thus ending up with even less in hand than I thought I would be. Fuckers.
**Until the moment of his tragic death when she quite understandably entirely lost her shit and did not get it back for quite some time.
This week I have felt ignored by my employers who largely leave me to my own devices in an otherwise empty building. I have complained, loudly, to everyone I know that I wish to feel busy, used up by the end of the working day so that I may feel a sense of accomplishment and drop exhausted into an ordinary civilian slumber at the close of the day. Grizelda, who is wise in unexpected moments, told me to shut up and use any available time for working on my own projects like PAN or my manuscript. She said this job, apart from only just covering the rent, is ideal for my needs.
I wonder if she is right. Apart from the appallingly low pay* I seem to be swimming against an idea that was previously my ideal. Brushing my hair this morning, it was at midday but I wanted to give the impression I was more organised than I am, I remembered a horse rider I admired when I was ten years old. Her name was Glenda, she was a grown up with a firefighter husband, babies in prams and a beautiful black horse who was vicious and wily. I was forbidden from entering his stable without supervision. Glenda used to waltz in and out of this stable without caution or alarm, drape her arm across the beast and laugh if he turned from his hay net to make a face and bare his enormous teeth at her. Unlike the stable supervisor Glenda had no trouble handling this horse at all**.
Glenda had long red hair, hanging thick and heavy to nearly her waist. She always, every day, wore her hair in plaits. I longed to make such a firm decision as Glenda seemed to, to decide on one way of wearing my hair and stick to it every day for the rest of my life. I wore my hair in plaits for three days then became bored and attempted a Princess Leia style before wishing it all chopped off like a lady in a Scott F Fitzgerald novel. I was an annoyingly precocious reader.
It bothered me that I was unable to take one thing and absorb it seamlessly into my way of being. I felt always to be swimming upstream, from the way I brushed my teeth to which breakfast cereal I preferred in the mornings. People I admired seemed to be people of habit, resolute in their ways and this was accepted if not admired in them. I struggled to make decisions about everything, final decisions, to form habits, routines, things I always preferred or did or said. My mother had definite habits, sitting on a series of strange ergonomic stools with a dog at her feet as she wrote her latest thesis. My father would spend days doing boring chores, lawns, gardens, cleaning, organising, then sit exhausted and watch a bad movie on television before suddenly taking up a pencil and beginning all over again the extravagant and immersive experience of designing and building something beautiful from scratch.
I change my mind from moment to moment, any long-term decision is likely to be discarded five minutes after its declaration. I seem unable to choose a single goal or way of being and working resolutely towards its completion. My existence feels more fluid than it ought to, water running over everybody else's levels, never really settling always wanting to move on, down, forward and assault the land mass with arched innumerable lashes.
I wanted a part-time job so that I would have time. I was looking for a job and then I found a job and heaven knows I'm tired of being miserable now. Also there didn't really seem to be a point to this post, other than the quick expulsion of several loosely connected thoughts. Perhaps I am working something out.
*On being offered this job I clumsily negotiated for a higher rate of pay. After being told I was successful in my bid to be paid at a higher rate they informed me I would be working five less hours a week than the previous employee thus ending up with even less in hand than I thought I would be. Fuckers.
**Until the moment of his tragic death when she quite understandably entirely lost her shit and did not get it back for quite some time.
Big happy from small sighting
or hear someone talking about it,
or even just catch a glimpse of a stranger
with a PANmagbag slung casually over a shoulder,
I feel undeniably happy for at least one whole second.
That is a long time to be undeniably happy.
For me.
A very long time indeed.
Usually happiness is at least partially deniable.
Or only partial itself.
Sometimes it is just a hint of what it should or could be
or just smells a vaguely familiar, like artificial fruit flavour.
PAN on Facbook
PAN website
Places you can buy PAN magazine (er, sorry couldn't stop myself)
Breaking up is hard to do or a magazine is not a person stupid
I was sitting next to PAN's excellent poetry editor, and good friend, Tim Sinclair when I tipped from relief into sorrow. I told him and he understood. You see Tim is a writer, a poet, a good one. He has lived that moment over and over again.
Last Wednesday night issue #2 of PAN magazine launched. People are telling me they had a good time at the party. I'm glad they did because I didn't. I hated most of it.* You can see how I can't even write a sentence with any sense of flow about this. Not even one. They are short and choppy and make hard little bitter feelings in my chest. I hated the anxiety, the anticipation, the organisation and most of all I hated the moment when I tipped from relief straight into sorrow.
Last Wednesday night issue #2 of PAN magazine launched. People are telling me they had a good time at the party. I'm glad they did because I didn't. I hated most of it.* You can see how I can't even write a sentence with any sense of flow about this. Not even one. They are short and choppy and make hard little bitter feelings in my chest. I hated the anxiety, the anticipation, the organisation and most of all I hated the moment when I tipped from relief straight into sorrow.
A letter to Spencer in North-West France (you told them you'd be back)
Dear Spencer,
You know how pineapple is the king of all fruit? Well I mentioned that last night, in a conversation about artificial fruit scents whilst smelling a scratch'n'sniff sticker. Nobody understood what I meant. The sticker-giving woman thought I meant pineapple was my favourite fruit, Mr X was just puzzled but he leant over a little and said "I like pineapple, it's a good fruit." but quietly, like you might say to a child who got something wrong by mistake. He only said anything at all because he is a kind interlocutor. He is kind in a lot of ways. Today he came to The Peach and drove me and some boxes of magazines to a shop so I wouldn't have to carry them, but then he said he had to do laundry and went home. So you can see it was one of those real kindnesses and not the fake kind, which is actually a little disappointing.
You know how pineapple is the king of all fruit? Well I mentioned that last night, in a conversation about artificial fruit scents whilst smelling a scratch'n'sniff sticker. Nobody understood what I meant. The sticker-giving woman thought I meant pineapple was my favourite fruit, Mr X was just puzzled but he leant over a little and said "I like pineapple, it's a good fruit." but quietly, like you might say to a child who got something wrong by mistake. He only said anything at all because he is a kind interlocutor. He is kind in a lot of ways. Today he came to The Peach and drove me and some boxes of magazines to a shop so I wouldn't have to carry them, but then he said he had to do laundry and went home. So you can see it was one of those real kindnesses and not the fake kind, which is actually a little disappointing.
Meeting at PAN HQ
Intern: "So what we'll do is get a performance dragon to come to the launch party and blow up the pile of magazines with dragon fire and then that will be awesome and everyone will be like, 'Did you see that massive dragon? Fucking brilliant.' And then we can just have the bands play and go on as usual. What do you think?"
Editor: (sighs)
Editor: (sighs)
Wenceslas
I felt like Mrs Dalloway, or Clarissa Vaughn echoing fictionally around on her way to a dying poet with fistfuls of flowers. I went to steal them from gardens but street after street bore nothing but concrete and the bare bulb-ended green things that play flowers in the hot parts of the year. I think its OK to pay for flowers when the poet isn't dying faster than anyone else so I counted out ten gold coins while the cashier held out half an impatient hand.
Five days ago my father bellowed out words like, strident, abusive, arrogant and smirked while my aged aunt thrust both arms back into memory for the right word. 'Bohemian', she said. They called me bohemian, all those relatives in formal dress. I told Spencer and we scoffed over coffee. I'm the least bohemian person I know, here, in the new town, where I have burrowed out a cave room and set a fire in the corner. There are proper curtains and thread counts and cupboard complete with cups.
Some of the others here still drink whiskey out of jars and play the same crackling old records Joe Lynch might have listened to, if he had the money. Now of course there are crates of them on corners every Saturday morning.
I didn't come here to study them, to take down hasty notes in dark corners while they rollick across perfectly stationary floors. I came here unwillingly, rudder locked eastward, anchor gone screaming into the night. I came here in cardboard boxes and settled heavily into daily clockwork risings, for money, only for the money. The notes started small and scrawling, mystifying untranslated rubbings across self-erected tombs of the wildly living. But they have grown.
Walking across a whole morning with the single purpose of flowers information came to me. Neighbours appeared at my gate on the telephone to Marianne Faithfull, lay down chapters of books for my magazine, the radio spoke with the voice of real friends, in song and story. Two people left for Spain with guitars and tour dates, Spencer and I spoke about which shirt he should wear in Paris. I said purple, he said he'd wear whatever he liked but the point was he's leaving for another overseas tour. The point is I'm sitting in my window looking out where the snow would fall if the world ever flipped and we had a chance at crisp and even.
Five days ago my father bellowed out words like, strident, abusive, arrogant and smirked while my aged aunt thrust both arms back into memory for the right word. 'Bohemian', she said. They called me bohemian, all those relatives in formal dress. I told Spencer and we scoffed over coffee. I'm the least bohemian person I know, here, in the new town, where I have burrowed out a cave room and set a fire in the corner. There are proper curtains and thread counts and cupboard complete with cups.
Some of the others here still drink whiskey out of jars and play the same crackling old records Joe Lynch might have listened to, if he had the money. Now of course there are crates of them on corners every Saturday morning.
I didn't come here to study them, to take down hasty notes in dark corners while they rollick across perfectly stationary floors. I came here unwillingly, rudder locked eastward, anchor gone screaming into the night. I came here in cardboard boxes and settled heavily into daily clockwork risings, for money, only for the money. The notes started small and scrawling, mystifying untranslated rubbings across self-erected tombs of the wildly living. But they have grown.
Walking across a whole morning with the single purpose of flowers information came to me. Neighbours appeared at my gate on the telephone to Marianne Faithfull, lay down chapters of books for my magazine, the radio spoke with the voice of real friends, in song and story. Two people left for Spain with guitars and tour dates, Spencer and I spoke about which shirt he should wear in Paris. I said purple, he said he'd wear whatever he liked but the point was he's leaving for another overseas tour. The point is I'm sitting in my window looking out where the snow would fall if the world ever flipped and we had a chance at crisp and even.
Awesome
Did you know there was such a thing as The Awesome Foundation? Well there is and they have just awarded PAN magazine a $1000 no-strings-attached grant. Awesome.
We did it!
This means we can print issue #2 of PAN magazine, and I am grateful. Crowdfunding felt like a huge risk, if we failed then the issue was in serious peril.
Thank you everyone who donated by pre-ordering their issue of PAN on Pozible. There is much dancing at PAN HQ this morning.
54% funded and 28 days to go
Enormous thanks to everyone who has participated in PAN's crowdfunding so far.
28 days to go, I think we can make it. Click here to check our progress, staring intently at the pie graph is more satisfying than you might suspect.
Did I mention that for $15 you help secure our printing funds as well as grabbing yourself a discounted copy of issue #2? Well just in case I didn't that's the deal and it's a good one. Here's a link to PAN's crowdfunding page.
The URL broke!
How in the hell can a URL break? Bastards. Anyway the correct one is now http://tinyurl.com/3rk4tkn (you know I'm still talking about the crowdfunding for PAN right?).
Maybe in advance but maybe not
It is possible that I may become slightly annoying during this crowdfunding campaign so I'm going to apologise now. Sorry.... also here is a link.
Crowdfunding for PAN #2
Crowdfunding is nifty, particularly when we, me and the PAN team, are using it to help us make the last little bit to print issue #2. I don't usually ask people for money, it makes me feel squirmy, but this time I'm holding out my hopeful open hands.
For just $15 you score a copy of PAN issue #2 and I score enough money to pay the printers. Please take a moment to check out our crowdfunding page on Pozible.
The way this works is simple, all money pledged is held in a special fund until the target is reached, once the target is reached the fund is transferred to PAN. If we don’t reach our target you will receive a full refund. There are options to pay by credit card or PayPal. You will need to either signup or use your Facebook login but that only takes a second.
So what do you get for your money? A quality magazine for $15 for starters but we’re offering a few different levels of support. Please take a moment to have a look at what we’re offering. Our crowdfunding campaign opens tomorrow on the 10th of June.
Oh and if you wouldn't mind spreading the word I'd be very grateful...
For media and publicity enquiries, please contact:
Rebecca Lee Williams, Publicist, PAN magazine | e: rebecca@panmagazine.com
Crunch time
Issue #2 of PAN is finally, finally, finally, at crunch time. I can't remember any project being quite this difficult to bring to fruition, except perhaps the grand project of staying alive, or law school but I'm not sure that counts as a project. Law school was more like an error of judgment that gathered momentum then gripped me in its yellow teeth and wouldn't put me down until I used every last ounce of will to finish the damn thing and walk away holding nothing but a cardboard folder, much like my relationships with men, only with less sex and more highlighting sentences in large books.
I'm about to embark on a large-scale experiment, the likes of which I have not before What the fuck was that? Juvenile cockroach ON MY DESK abandon ship this is an emergency.
I'm about to embark on a large-scale experiment, the likes of which I have not before What the fuck was that? Juvenile cockroach ON MY DESK abandon ship this is an emergency.
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