I will now chew my vegemite toast vigorously
The taxi driver smelt like penis but he drove me home so my feet could be silent. Earlier this evening I caught the bus to Glebe. I hate Glebe but I went anyway because Geoff Lemon was doing a spoken word gig at the Friend in Hand. I don't hate Geoff Lemon, not yet.
Geoff performed admirably but offstage he was incoherent with jet lag and exhaustion so I wandered over to Spencer's house and yelled about the internal violence of words. Spencer deserves some kind of medal, in fact he proposed that someone should pay him money for being my 'keeping it real person'. I'm not entirely sure what that job would entail, I assume part of the role is to sit with me in a cafe while I yell about things and accidentally knock over water glasses and ashtrays.
Spencer has a habit of keeping large pieces of folded paper about his person. He will produce one from time to time and let me read over whatever he is working on. There is no greater privilege than seeing a song half-written, before even the song itself is sure of what it should sound like. Though perhaps I would like to rifle through another writer's desk. Uncurl the edges of all of those bits of paper and watch the words crawling towards each other, in the way that words on curled bits of paper do.
After the spoken word gig, after giving up on the possibility of having anything within the realms of a normal conversation with the valiant but sagging Geoff. After walking through the backstreets of Glebe where my feet flashed like imaginary fish and I remembered most of yesterday in slow motion. After Spencer came out of his gate and talked with me about the violence of words, and the taxi driver who smelt like penis, I made two pieces of toast. Spring is the best season for the vigorous chewing of toast, it has none of winter's demands for warm cups and the laying on of blankets.
In other news if you search using the words 'age of adz review', my review is the first result. In your face other people without toast. In your toastless face, is what I would say if I was that way inclined but I'm not so forget about it.
Neil! Get a haircut or at least stop staring so strangely
Sugar Mountain: Live at Canterbury House 1968 made me travel back in time and who doesn’t want to travel back in time? There is no excuse for not listening to this album. Blah blah album reviewing words, Neil is good etc
Read the actual review on RHUM...
Dispatch
Haul up the buildings like nightshades. I don't want to see anybody's horizon. All day I poured wine across the back of upturned glasses.
Strange Tourist
Gareth Liddiard must be possessed. If there isn’t a sudden screaming need of the collective unconscious to hear what Liddiard needs to play I’ll eat my hat. Brace for this music, or you will come undone. From the first hissed syllable there ain’t no shaking the spell.
Strange Tourist is the kind of album you will play for the rest of your life, every lived year adding poignancy, dropping you down further into the bones of each song. This album, like a point of light, will throw shadows against your walls.
Continue Reading on RHUM...
Where there is livestock there is deadstock or Ted sees a bird on the way to looking at a cow
Dead Farms, Dead Leaves
Cling to the long
Branch of world.
Stars sway the tress
Whose roots
Tigthen on an atom.
The birds, beautiful-eyed, with soft cries,
The cattle of heaven
Visit
And vanish.
Ted Hughes
Cling to the long
Branch of world.
Stars sway the tress
Whose roots
Tigthen on an atom.
The birds, beautiful-eyed, with soft cries,
The cattle of heaven
Visit
And vanish.
Ted Hughes
Subscribe to:
Posts (Atom)


