Broken fifth metatarsal due to walking in to furniture bare foot at medium speed. Suspect temporary failure of navigation systems. Navigation system failure occurred as result of inebriation, fatigue and negligent use of light switches in hallway.
This has been an excellent use of the internet.
Cataclysmic but slowly and not without joy
We were up to our necks in love. Well that's what it felt like to me as I danced across the kitchen and down the hallway while about a dozen people sang their hearts out in my lounge room.
The idea was simple. I wanted to drink some and sing a little. Gemma had the bright idea of throwing a singing party at The Peach, so I did.
The night was dark and stormy (I have always wanted to write that and mean it). Some guests arrived drenched and shivering, clutching a guitar under one arm and a six pack under the other. Some swanned in shaking out umbrellas holding bottles of wine and one or two appeared in the kitchen as though teleportation was possible.
The singing began slowly but the chorus swelled until we were delirious and not one person was silent in the house. We had three people with guitars, Spencer, P. Street and Jeremy Smith, Robert on the floor with a tambourine and a snare and enthusiastic singing from no less than one dozen people at any one time. We wandered recklessly through musical history and modes of good taste, anyone got a go, anyone from Samantha Fox, David Bowie and Robyn Hitchcock to The Pixies and even Counting Crows. No one was more surprised than me to realise that all of us, without exception, knew all the words to Mr Jones.
Someone started up a Neil Young song so Spencer grabbed his bag and tipped eight harmonicas onto the ground, testing them drunkenly one by one to find the right one, he emerged from the floor in the nick of time to perform a note perfect solo. Wild applause erupted from the kitchen where some were making mulled wine and others danced as they poured chips into bowls and piled baklava onto plates.
The weather, jetlag and tour dates kept us to a small and merry band. From time to time one of us would look up and around the room and get a little misty because while we were singing just for the hell of it we were also saying goodbye. At midnight I gave a toast to The Peach and all who have sailed in her because Grizelda and I are moving out, for good.
Mr Oddweird the landlord has gone and done it this time. He has defaulted on his mortgage and The Peach is being repossessed by the bank. I have lived in fear of the day we would be forced, by one disaster or another, to leave this house but when the day arrived I surprised myself. I don't really mind.
When I first came to The Peach I'd been most thoroughly shredded by the tragic end of a long and dramatic relationship. I wasn't sure it was possible to feel worse than I did, perhaps not even possible to feel like I did and stay alive for a whole day at a time but I did. It hasn't always been easy here in The Peach but I have loved it, every difficult, horrible, euphoric moment of it since I first walked through the door carrying nothing but a game of boggle and a plastic bottle full of water.
Its been almost seven years since I signed the lease and handed over all of my savings for bond and two weeks rent in advance. The cat and I were both astonished by the light and noise of what we call the city when we first moved in. The cat spent the first fortnight in my wardrobe refusing to come out for anything but to use the litter tray or take a small drink of water. Now the cat roams the house freely and I can sleep through just about anything.
Mr Oddweird has let me down as a landlord over the years. The water has been turned off three times because he didn't pay the bill, he took off with the inside front door handle four years ago and never brought it back. The back door has never had a lock on it and he failed entirely to make any repairs to the bathroom after the mirrored cabinet crashed to the ground and smashed about six years ago. Last year he began renovating the flat underneath The Peach (which has been vacant the entire time I have lived here) by removing the floors, walls, kitchen and bathroom and digging large holes in the now dirt floor. But this time I suspect he has mostly failed himself.
It seems strange to me that I am almost looking forward to the move. I'm ready for a new adventure. Grizelda and I are headed just three suburbs away but around here that's like a whole new country. We'll be setting up shop in a beautiful little house with polished floorboards, a dishwasher in the kitchen and a neat little courtyard out the back where I can plant strawberries and herbs. Sylvia the cat and Grizelda's new pain in the arse kitten Oscar will be making the move with us as will Edith the gold fish and most of our stuff.
I've been giving away belongings, throwing things out, selling furniture I've carried with me from relationship to relationship. Junking all the built-up useless things and jettisoning the ballast. When I pack my bags and make my way to the new house I'll probably be carrying a few little heartaches and a head full of memories but I'm going to put my teapot in the cupboard anyway and see what happens next.
Trading kinds of light
In yet another coincidence of light I was walking home straight into the setting sun while a Radiolab podcast told me the story of a man detained by a cup of tea and bathed in a hot white light. The light was followed by a roar that threw him into a field of potatoes and raked the skin off his body. The white light was filled with gamma rays. The gamma rays shot into the cells of his body, knocked electrons off his water molecules, and created free radicals determined to go after his DNA.
The man was in Hiroshima, I was following a chain link fence down by the railway tracks in a back street of Newtown but I was remembering all those hours I spent riding straight into a winter sunset on the back of an elderly horse named Lady. She was small but rangy with a choppy little stride that could shake your bones out of place. Those days I would ride my bike as fast as I could down the long hill of my street and out past the market gardens and the back gate of a navy base to the stables where I worked after school.
I was eleven years old and already worried it might be too late to be learning how to ride. I saw kids barrelling around the neighbourhood on ponies like they were born in the saddle while I diligently worked mucking out stables, mixing up buckets of feed, stacking bales of hay and wheeling endless barrows of muck up on to the top of the largest pile of shit I'd ever seen. Once or twice a week the stable manager would give the order to bring Lady up to the hitching rail and saddle her up for my lesson. More than anything I remember riding up the long side of the school* straight into the setting sun being terrified and humming "Yellow Submarine" under my breath because it was the best song for keeping time at a trot.
It's no secret that I no longer ride, living in inner city squalor like I do, but I don't suppose many people know that I dream of the horse almost every night of the week. It feels like a muscle mantra, every night in the very middle of oblivion every cell remembers not the thought but the sensation. Walking home this afternoon the big low sun and clear winter air tempted me into remembering but despite hundreds of hours spent riding straight into a winter sunset from the back of a horse it didn't quite work.
Two months ago I started taking what I call crazy pills, the doctor calls them something else, but its been a long time coming. I got so used to feeling suicidal that it was practically my normal state of being. I'm not sure exactly how the medicine works but it does, in more ways than one. I used to feel the stab of a memory or the hook of newly forming story like a physical barb. I would pull in towards me and turn it around and around until I knew just which word should come after the other to make it into a picture for somebody else to read and see. Not anymore.
Now I feel a small mental pulse and know there's a story or a sentence or half a line just waiting there for me but its foggy and unappealing and I'd rather just keep walking along watching the setting sun than follow any thought to see where it leads. I've been worrying about this because I have a December deadline for my manuscript and my progress has slowed to roughly a page a week. A page wrought only with great effort and difficulty and almost no joy. This is a new kind of problem.
Like free radicals coming after DNA I think I've been reconfigured by this medicine. I feel less, I feel better, but I miss those barbs and hooks and threads of thought. They used to lead me somewhere I was free to rearrange the alphabet into stories that made sense of everything but recently they just dangle and fade into nothing but a simple walk, like this afternoon's coincidence of light.
*fenced in rectangular arena used for training horses and riders
Suggested reading - James Bradley's "Never real and always true: on depression and creativity"
The man was in Hiroshima, I was following a chain link fence down by the railway tracks in a back street of Newtown but I was remembering all those hours I spent riding straight into a winter sunset on the back of an elderly horse named Lady. She was small but rangy with a choppy little stride that could shake your bones out of place. Those days I would ride my bike as fast as I could down the long hill of my street and out past the market gardens and the back gate of a navy base to the stables where I worked after school.
I was eleven years old and already worried it might be too late to be learning how to ride. I saw kids barrelling around the neighbourhood on ponies like they were born in the saddle while I diligently worked mucking out stables, mixing up buckets of feed, stacking bales of hay and wheeling endless barrows of muck up on to the top of the largest pile of shit I'd ever seen. Once or twice a week the stable manager would give the order to bring Lady up to the hitching rail and saddle her up for my lesson. More than anything I remember riding up the long side of the school* straight into the setting sun being terrified and humming "Yellow Submarine" under my breath because it was the best song for keeping time at a trot.
It's no secret that I no longer ride, living in inner city squalor like I do, but I don't suppose many people know that I dream of the horse almost every night of the week. It feels like a muscle mantra, every night in the very middle of oblivion every cell remembers not the thought but the sensation. Walking home this afternoon the big low sun and clear winter air tempted me into remembering but despite hundreds of hours spent riding straight into a winter sunset from the back of a horse it didn't quite work.
Two months ago I started taking what I call crazy pills, the doctor calls them something else, but its been a long time coming. I got so used to feeling suicidal that it was practically my normal state of being. I'm not sure exactly how the medicine works but it does, in more ways than one. I used to feel the stab of a memory or the hook of newly forming story like a physical barb. I would pull in towards me and turn it around and around until I knew just which word should come after the other to make it into a picture for somebody else to read and see. Not anymore.
Now I feel a small mental pulse and know there's a story or a sentence or half a line just waiting there for me but its foggy and unappealing and I'd rather just keep walking along watching the setting sun than follow any thought to see where it leads. I've been worrying about this because I have a December deadline for my manuscript and my progress has slowed to roughly a page a week. A page wrought only with great effort and difficulty and almost no joy. This is a new kind of problem.
Like free radicals coming after DNA I think I've been reconfigured by this medicine. I feel less, I feel better, but I miss those barbs and hooks and threads of thought. They used to lead me somewhere I was free to rearrange the alphabet into stories that made sense of everything but recently they just dangle and fade into nothing but a simple walk, like this afternoon's coincidence of light.
*fenced in rectangular arena used for training horses and riders
Suggested reading - James Bradley's "Never real and always true: on depression and creativity"
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