Everywhere man or The Adam Lewis Awesome Test

Adam Lewis is a young man who is everywhere that is good or interesting or brave or new. He might even be the young man who booked, organised or curated it. For a while now I've been thinking of Adam Lewis as a human everywhere dog. He seems to be everywhere, all the time, all at once. Unless he is secretly identical triplets (could happen) or can travel through time (could happen) or is actually a personal delusional of mine and friends are just being nice and pretending he exists (could happen).

Yesterday I was sitting peaceably in a pub with some friends when Adam Lewis walked in. Straight away I knew that meant I was about to accidentally have a good time because a busy man like Adam doesn't just show up in a pub for no reason.

After I had an accidentally excellent time I started thinking about deciding whether or not I really liked it or if   the fact that I was covered in paint pigments, and a bit high and three beers in, were unduly influencing my decision towards the positive. At first it was kind of hard to tell but then I glanced over at Adam, who waved cheerily, and I had an idea.

Adam Lewis likes things that are awesome. He is a good judge of what is awesome because he sees everything all the time all at once. Once you see everything all the time all at once you can pick something shit a mile away. Here is an example of something that was shit.

Deciding whether something is good, or if I like it, is boring now that I have hung up my reviewing pen. One horrible side effect of being an ex-reviewer is automatically adding complicated layers of questions and filters on top of instinct before making a proclamation. The long deciding process bores me so I have invented something amazing. I give you The Adam Lewis Awesome Test for working whether or not something is good.


The Adam Lewis Awesome Test


1. Is Adam Lewis here? If yes continue to question two, if no then GO HOME RIGHT NOW because you are somewhere BAD.


2. Is Adam Lewis smiling and nodding his head in a joyful and benevolent way? If yes stay where you are and pay attention to what Adam Lewis is looking at. If no continue to next question.


3. Is it a break between bands or performers or similar? If yes get a drink or talk to friends or Adam Lewis or both and proceed to question four. If no GO HOME CAUSE IF ADAM HATES IT YOU SHOULD TOO, if it is not something with performances proceed to question four.


4. Ask Adam Lewis if he thinks it is awesome. Listen to his answer.If he thinks it is awesome then it is AWESOME, if he does not think it awesome then it SUX AND YOU SHOULD GO HOME RIGHT NOW AND HAVE A NICE CUP OF TEA AND A LITTLE SIT DOWN.


See how much easier my whole life is now?










PS. Hate mail bores the fuck out of me so in case you are confused, or from Finland, let this be your 'takeaway', I like Adam Lewis and think he is pretty great and one day, if he keeps this up, he will be the Captain of Sydney or similar because he is a talented young man with great instincts and popular social graces. I also like his glasses.

PPS. Adam Lewis - the bio by Dale Slamma:
Radiant on FBI
Those millions of gigs he organises
That other thing
Oh and his day job
And all those tweets and facebooks
OTHER IMPORTANT THINGS THAT ARE IMPORTANT AND GOOD
might be best to ask Adam Lewis for his more official bio.

Killah

Today I will mostly be wishing 'ghost protocol' was an actual thing and not, as it turns out, the name of a film.

In my head going 'ghost protocol' means wearing a long wispy sort of greyish dress and having a teapot full of tea and sugar cubes instead of no sugar at all. There should be mist with a little fine rain and a definite chill in the air but not so cold the windows are all closed. The curtains breathe in and out and the record player is on low in the next room, something timeless winding slowly through song. There are no digital interruptions and the front gate is locked, maybe the last light of the day is glowing through the heavy heads of full roses in the garden. It should mean solitude and freedom to think and wander through rooms. That's what it should mean.


But now am

I was lost. In my own unfinished manuscript and it was fucking awful. More crying than was strictly necessary forced me into an unusual manoeuvre. I sat down with one piece of paper and a pen and asked myself one question. What is the story of this novel? One hour and one sentence later and there are no more tears, no more frustrated screaming at the walls and halls of The Peach.

It seems so simple. Why did it take me three quarters of a day, in an emotional state closer to crazy than I care to admit, to figure out all I had to do was ask myself one little question? I must be a lot stupider than I thought I was. Either that or I truly am some kind of sucklord.

In other news I have thought of a project for April. No title yet but it involves leather straps and steaming breath before dawn.





The important thing about today

Is precisely nothing. Not one thing. Another dull day in Slammatown. Might be time to elect a new Captain or maybe the problem isn't me but everyone else. All I want is to see the face of some god or other, I don't mind which, trace elements of the transcendental. It's like the problem with toast, once you put butter on it everything is transformed from the bearable to the divine. That's all I want, every day, just one thing transformed.




Dead

So of course I was hoping there would be a minor acceleration through time and she would bear a hybrid zombie child just loaded with antibodies and everyone would be saved all over again by the child doomed to suffer and die. And my hope was sterile and regurgitated. Christ.


New resolution

Intermittently semi-intellectual existential loneliness.


Plash

Without joy, mild merriment sure but no joy no redemption. I hate those kinds of weekends where newspapers keep time and coffee making keeps time and the socks just stay wherever you put them and people come and go and open their pipes and pour words out. I might watch them make puddles on the ground and walk around wishing for some other course of action or maybe I'll pour a puddle of my own half-hoping somebody steps in it and feels a cold rush in one foot, maybe looks up or around or behind or down or asks "What is this doing here?".


Obviously I am a sucklord

I've been spending a fair amount of time with a friend lately and mostly it is quite enjoyable but this weekend it dawned on me that he might have got me all wrong. It feels like he has decided which boxes I tick on a list, writer, not stupid, careless with fashion, rebellious in some ways, good listener, but that is all.

It feels like a major failure of communication on my part. How can it be that someone I spend so much time with doesn't know who I am?  I know quite a few things about him, intimate things, broad things, daily habit things, but this knowledge is not reciprocated because he never asks and I don't offer. Ordinarily I am a font of information, about myself, but with him I don't ever feel the urge to tell, only the urge to listen and observe.

On reflection the failure feels more fundamental than just a lapse in communication. It feels like I let myself become unimportant in his presence, overwhelmed by the oddness of wanting to listen and listen and not speak in return. Obviously I am some kind of sucklord.

Horrible horrible horrible

My pancreas, or similar organ located in middle of self, feels odd due to beer or similar. It seems clear, to me right now, that I am drunk and this is probably the main reason for feeling like shit. The other contenders in the "reasons for feeling like shit contest" are as follows:

No. Not going to make list of reasons, that is shit idea. Better idea take shoes off.

A new kind of sponge

I can't stop listening. From the moment I leave the house in the morning until I come home in the afternoon, and sometimes again after that in the evening. It's not music. I've gone off music. These are words. Podcasts and audiobooks. Interviews and recordings of long dead poets, children's books, even American radio programs, anything I can get my hands on.

I think I've become a new kind of sponge. I haven't been this excited about anything since I learned to read my own bedtime story, all by myself, and spent the next ten years reading every book* in the house, even the dictionaries. I remember my mother looking horrified when she came in to tell me to turn off the light and there I was, propped up in bed, reading my Junior Macquarie Dictionary like it was a story. She asked me what I was doing and I replied "reading the dictionary". She left it at that and didn't mention it again until years later, when she used it as an example of my excessive reading habits. I think this is a good example of my mother's storytelling habits. Maybe I'll make a podcast about it...



*It might have taken longer to read all the books in the house, there were so many and new ones kept appearing all the time.

Sometimes it's hard to tell if I'm lying or if isolating only one corner of a thought gives a solidly incorrect impression

There is an elderly couple I greet on the street from time to time. I wave or nod or say hello as I walk by them because they are always stationary. She sits in an old plastic chair and he either stands near her or props himself against a tree or a fence or a building. I see them in the same general area but not usually in precisely the same place. I have never seen them walking either to or from their spot. They vary their placement, either sun or shade, depending on the weather.

They speak with thick accents and appear shrivelled and worn like elderly like The Potato Eaters but with less hats. This afternoon on the way home from work the woman asked me a question, she has never done this before. Our conversation was small and stilted but it has left me thinking. Here's the conversation as I remember it:
Woman: Work?
DS: Yes, I am coming home now.
Woman: Work?
DS: Yes. Work.
Woman: Factory?
DS: No. University.
Woman: Good job.

I waved farewell and kept on walking. Factory? I don't know anyone that works in a factory. I don't even know where the nearest factory would be. Alexandria? Mascot? Somewhere out West a little? The first thing I think of when someone says factory is warehouse apartment, or party, or sad, dark and looming space with holes in the roof and rain leaking in. I don't think 'work'.

I wonder what she thinks I do at the university? Maybe she thinks I am a secretary, that I have a big wooden desk and a typewriter. I hope that is what she thinks I do. She would never have guessed my actual job.*

I was friendly to the woman as she spoke with me, smiled at her, genuinely wished her a pleasant afternoon soaking up the sun but I still felt a little guilty as I walked away. I felt like my life should have rushed into sharp focus and perspective, that I should have immediately felt some stark difference between what might have been her working life in a factory and mine which has exactly nothing to do with factories, but I didn't. I felt nothing of the sort, nothing but mildly interrupted because I had to fish out my phone and rewind the podcast I was listening to so I didn't miss anything. But then fresh guilt emerged at my lack of perspective and the huge black hole where I should have been thinking about the woman's life instead of my own.

This sense of guilt has persisted, through the end of the podcast, three rounds of Drawsome, one wee break and the eating of one spoon of peanut butter directly from the jar. Why don't I feel a sense of perspective? Could it be that I have become so fixated on the inner workings of my mind and my life that I am no longer able to be changed by a small chance encounter on a street corner?

I hope so.

I would like nothing more than to be largely unchanged by the world as it bumps into me, like a character from a Woody Allen film. I have always wanted to be like a character from a Woody Allen film who goes through something big, like a failed romance, and comes out the other end just exactly as they were before, maybe more so. Maybe they use the experience to write a book or a play but manage to avoid any personal growth or change. I admire those characters, how they distil themselves into becoming an even more interesting and dense version of who they were to begin with.

And so now the guilt is changing into hope. The sun is still out and the couple is still likely to be sat, weirdly without any cups of tea, in their afternoon spot, unmoving, not talking, just taking in the day. I have half a mind to go back there and talk to them about this, ask them what they think it means but I won't because that's closer to crazy than I want to go this afternoon so for now I'll go and make a cup of tea and think about something else.



*Not just the woman might have a hard time guessing but everybody, there is an extra layer of trickiness in that I am not employed by the university but that my employer has free and exclusive use of a building on campus.

Is it too late?

Is it too late?
Really?
No?

Brilliant.


Sunday Sunday

A Sunday resolution. Just because Grizelda is still away does not mean I am allowed to eat ice cream for breakfast. Beans. Beans and toast, this is my Sunday resolution and may it be as boring for you as it was for me.

In other news have a read of this unbelievably awful and biased review of a book of poetry. I admit it might not be his best work but I have never read another review where the personal life of the poet was so transparently judged and attacked. I would have been much more interested in a straight review that examined only the work itself and leaves aside any question of the man's integrity for a different article. 

My opinion on the matter of the Poet and his private life is still being formed, I predict it will be another ten years before it arrives fully formed and ready for dispatch.