Warning: Do not read if you are recently bereaved, possess an overly sensitive nature or are one of those people who enjoy yelling at writers when they write something you do not like (in fact piss off if you are a person who enjoys yelling at writers).
People are concerned about me, which is nice, but unnecessary. I'm entering a research phase on suicide prevention for my manuscript, hence the incessant talk about the topic. There is a little twist to my research, I want to find out what not to do in the case of coming into contact with a suicidal being. In fact I am determined to put together a large volume of information about pushing someone past their tipping point and right off the old cliff there.
Whoosh. Straight down. See ya later alligator. Splat, crunch, splatter, gasp, death rattle, gone. Hallelujah and good riddance.
I'm thinking about the kinds of things one could utter to a person perched on a precipice to encourage a good old jump off the mortal coil. Reading research papers on the topic of suicide has been so far quite unhelpful. They are full of the usual charts about risk factors, tipping points and the no-good nature of social isolation. What I want are some ideas for sentences cruel or callous enough to cause a confused being to stop their calculations and put all their eggs in a death-bound basket. What are the kinds of things it is crucial not to hear at a moment of indecision? How can one person talking to another fail to offer even a small pocket of hope or comfort when faced with such drastic circumstances? What is the string of words least welcome to a consciousness in agonising mental pain?
If you can help in any sensible way drop me a line.
A letter to F. in Western Australia
Dearest F.,
I've been slaving in an office for a few weeks, editing video titles and adding the appropriate rating. G. PG. M. MA. Tedious just about covers it. As usual I am dubiously and sporadically employed by real organisations. The rest of my time is spent more wisely on editing PAN magazine, making notes and drafting things for my manuscript and generally running about looking at things and wishing I didn't notice every tiny detail about everything. The footpath just three houses down the street has begun to exaggerate its folded crease as the tree roots underneath swell with time.
Last weekend I travelled to Canberra with my brother and his girlfriend to visit Dad and the other wonders of our nation's capital. I found them to be much the same as last time I saw them, which is good in the case of my father. My brother and I planned to take advantage of Canberra's lax stance on smoking pot and get high in a hedge maze by the lake. When we got there the hedge maze was missing. The miniature train driver said the government had the hedges removed. I was wondering if maybe too many people had the same idea and there was a meeting in parliament about whether or not the government ought to provide a large hedge maze in which stoned people frequently ran about in and got lost. It was a great shame about the hedge maze. I was hoping to able to sell my brother to someone dressed as David Bowie.
Several weeks ago I was invited to read a short story at Penguin Plays Rough. I decided definitely not to do it due to high internal levels of fear. I was however forced to do it by the inimitable Pip Smith who runs the show. In the end I did not vomit, faint or run away and the thing was got through tolerably well. After the reading Spencer and I drank an enormous volume of beer, Pip folded a sum of money into the palm of my hand and it turned out to be the highest paid ten minutes I have spent in my life. Unless you count inheritances, of which there have not been many, but it doesn't take more than a minute for someone to die. On second thoughts that's not really earning is it? Now if I murdered someone and inherited money from that act then it might be considered earning I suppose, so no earning at all in this case.
Yesterday my mother telephoned to yell at me. Fortunately I was not the topic of her yelling, she needed to express some violent anger on a topic and decided I would do. After the yelling ceased she instructed me to get myself down to the harbour and report on the water. In an amazing coincidence that had been my intention all along. I rode the train down through the tunnels under the city until it emerged suddenly, without seeming to climb, at Circular Quay. The day looked a grey one but I was unsure as to the real colour of things as I was wearing unfamiliar sunglasses. The sunglasses belong to a friend of mine. He gave me a lift home in his car and in order to avoid sitting on the things I stuck them in my pocket. My only failure was I did not take them back out of my pocket again until I was inside The Peach. I have confessed my accidental crime to him so I do not feel as guilty as I otherwise might.
My only purpose for going down to the harbour was to visit the Satyr statue by Francis (Guy) Lynch. It was placed in the botanical gardens, just near the Opera House gate sometime in the 1970's, I believe it was originally sculpted in the 1920's. The face of the statue is reportedly based on Guy's brother Joe Lynch. Joe is the subject of Slessor's brilliant lament Five Bells. Five Bells is of course wildly popular, one of those Australian poems repeatedly set in the school's English curriculum forever and a day but I don't think you should hold that against it. The first time I properly read the poem I was at university and definitely uninterested in all things poetic. At the time I wanted violent contemporary fiction and wildly intellectual essays and nothing else at all would do. I read the thing because I had to, but made no internal note of it.
It wasn't until I was hanging over the railing of a ferry searching for jelly fish and ghosts that I remembered this line, "Deep and dissolving verticals of light". I hung perilously over the ship's railing reciting, "Deep and dissolving verticals of light", and watching the light split the "waves with diamond quills and combs of light" and plunge single-fingered through water, fish and ghosts and time waving weed that I remembered the poem at all. Bloody hell a lit match head just flung itself off the end of the match and scorched a permanent mark between the 'v' and the 'b' on my laptop. I suppose I should give up on matches and move across into lighters but I do love the sound of match being struck, nothing quite like it.
All the notes and drafts for my manuscript cross and recross the harbour. The idea of Joe Lynch seems submerged not just in our national poetic consciousness and the harbour itself but in all of my recent thought. It is possible that I have fallen in love with the man, this "Joe, long dead, who lives between between the five bells."
I was distressed to hear of the recent loss of one of your friends. I hope that you can find some solace in your impending adventure overseas. Write to me dear F. for I always miss you. Here now is a photograph I took of myself with Old Joe.
I've been slaving in an office for a few weeks, editing video titles and adding the appropriate rating. G. PG. M. MA. Tedious just about covers it. As usual I am dubiously and sporadically employed by real organisations. The rest of my time is spent more wisely on editing PAN magazine, making notes and drafting things for my manuscript and generally running about looking at things and wishing I didn't notice every tiny detail about everything. The footpath just three houses down the street has begun to exaggerate its folded crease as the tree roots underneath swell with time.
Last weekend I travelled to Canberra with my brother and his girlfriend to visit Dad and the other wonders of our nation's capital. I found them to be much the same as last time I saw them, which is good in the case of my father. My brother and I planned to take advantage of Canberra's lax stance on smoking pot and get high in a hedge maze by the lake. When we got there the hedge maze was missing. The miniature train driver said the government had the hedges removed. I was wondering if maybe too many people had the same idea and there was a meeting in parliament about whether or not the government ought to provide a large hedge maze in which stoned people frequently ran about in and got lost. It was a great shame about the hedge maze. I was hoping to able to sell my brother to someone dressed as David Bowie.
Several weeks ago I was invited to read a short story at Penguin Plays Rough. I decided definitely not to do it due to high internal levels of fear. I was however forced to do it by the inimitable Pip Smith who runs the show. In the end I did not vomit, faint or run away and the thing was got through tolerably well. After the reading Spencer and I drank an enormous volume of beer, Pip folded a sum of money into the palm of my hand and it turned out to be the highest paid ten minutes I have spent in my life. Unless you count inheritances, of which there have not been many, but it doesn't take more than a minute for someone to die. On second thoughts that's not really earning is it? Now if I murdered someone and inherited money from that act then it might be considered earning I suppose, so no earning at all in this case.
Yesterday my mother telephoned to yell at me. Fortunately I was not the topic of her yelling, she needed to express some violent anger on a topic and decided I would do. After the yelling ceased she instructed me to get myself down to the harbour and report on the water. In an amazing coincidence that had been my intention all along. I rode the train down through the tunnels under the city until it emerged suddenly, without seeming to climb, at Circular Quay. The day looked a grey one but I was unsure as to the real colour of things as I was wearing unfamiliar sunglasses. The sunglasses belong to a friend of mine. He gave me a lift home in his car and in order to avoid sitting on the things I stuck them in my pocket. My only failure was I did not take them back out of my pocket again until I was inside The Peach. I have confessed my accidental crime to him so I do not feel as guilty as I otherwise might.
My only purpose for going down to the harbour was to visit the Satyr statue by Francis (Guy) Lynch. It was placed in the botanical gardens, just near the Opera House gate sometime in the 1970's, I believe it was originally sculpted in the 1920's. The face of the statue is reportedly based on Guy's brother Joe Lynch. Joe is the subject of Slessor's brilliant lament Five Bells. Five Bells is of course wildly popular, one of those Australian poems repeatedly set in the school's English curriculum forever and a day but I don't think you should hold that against it. The first time I properly read the poem I was at university and definitely uninterested in all things poetic. At the time I wanted violent contemporary fiction and wildly intellectual essays and nothing else at all would do. I read the thing because I had to, but made no internal note of it.
It wasn't until I was hanging over the railing of a ferry searching for jelly fish and ghosts that I remembered this line, "Deep and dissolving verticals of light". I hung perilously over the ship's railing reciting, "Deep and dissolving verticals of light", and watching the light split the "waves with diamond quills and combs of light" and plunge single-fingered through water, fish and ghosts and time waving weed that I remembered the poem at all. Bloody hell a lit match head just flung itself off the end of the match and scorched a permanent mark between the 'v' and the 'b' on my laptop. I suppose I should give up on matches and move across into lighters but I do love the sound of match being struck, nothing quite like it.
All the notes and drafts for my manuscript cross and recross the harbour. The idea of Joe Lynch seems submerged not just in our national poetic consciousness and the harbour itself but in all of my recent thought. It is possible that I have fallen in love with the man, this "Joe, long dead, who lives between between the five bells."
I was distressed to hear of the recent loss of one of your friends. I hope that you can find some solace in your impending adventure overseas. Write to me dear F. for I always miss you. Here now is a photograph I took of myself with Old Joe.
Awesome
Did you know there was such a thing as The Awesome Foundation? Well there is and they have just awarded PAN magazine a $1000 no-strings-attached grant. Awesome.
Combination lady death-farmer tea party
I wore a slip today. All day, for the first time. One of those white nylon slippery things with lace trim and darty bits around the bra area. When I remembered I was wearing it under my dress I felt vaguely like a lady, a proper grown-up lady who is organised and dabbles in witty inappropriateness. But that was only when I remembered.
When I arrived home at The Peach I was tired beyond reason. Tired beyond the ability to make even a stab at pretending to be polite, like a potato digger returned from twelve hours hard labour in the field. That's when one of The Peachettes declared she would not pay one third of the electricity bill but some other mad proportion that she would calculate based on fuck-knows-what and then email to me.
I wanted, no, I desired with all my being, to magic a pitchfork out of the air so I could stab her like a sack of grain and toss her to her bloody death off the edge of The Peach Deck. It occurred to me at that point that I was not so much of a proper lady. More like a combination death-farmer lady bringing bloody physical destruction and organising tea party settings for witty appropriateness followed by gin drinking at my desk in nothing more than a slip and some pearls. I'm fairly happy with that combination.
When I arrived home at The Peach I was tired beyond reason. Tired beyond the ability to make even a stab at pretending to be polite, like a potato digger returned from twelve hours hard labour in the field. That's when one of The Peachettes declared she would not pay one third of the electricity bill but some other mad proportion that she would calculate based on fuck-knows-what and then email to me.
I wanted, no, I desired with all my being, to magic a pitchfork out of the air so I could stab her like a sack of grain and toss her to her bloody death off the edge of The Peach Deck. It occurred to me at that point that I was not so much of a proper lady. More like a combination death-farmer lady bringing bloody physical destruction and organising tea party settings for witty appropriateness followed by gin drinking at my desk in nothing more than a slip and some pearls. I'm fairly happy with that combination.
Communal ridiculous celebrates cat AIDS, in her hand
I don't know who's idea it was to start singing but we were all doing it. Spencer was cranking out song after song on the guitar and somewhere along the way we all lost our shit and just sang as loud as we could. Waving around our arms and creating one hell of an unharmonious racket.
It might have been the cold, the hours we spent UFO spotting in the park in the middle of winter, Spencer's idea of an ace birthday party, or the sheer volume of drinking under our belts. After the park where Spencer spotted fifteen UFO's and nobody else any at all we congregated in Spencer's lounge room. There were already people there, drunk as fuck and making little sense to anyone but themselves. One small woman in the corner held up her hand in greeting, showing off a fresh looking graze on the heel of her palm. She said 'I've got cat AIDS' then went back to the bottom of her glass.
Someone explained on the small woman's behalf that she had slipped on some pavers and grazed her hand. She was convinced that there was cat urine somewhere in the mix and now she was telling everyone about her new dose of hopefully imaginary cat AIDS.
Songs turned into time and we sang our way through three more bottles of wine. There were highlights, old favourites, songs nobody at all knew the words for so we all just made noises that kind of sounded like the right words were somewhere underneath the almost melodic synchronised guttural utterances.
Spencer started playing 'Zombie' by The Cranberries. It seemed like we all knew the words, everyone jumping in with;
But you see, it's not me, it's not my family.
In your head, in your head they are fighting,
With their tanks and their bombs,
And their bombs and their guns.
In your head, in your head, they are crying...
In your head, in your head, Zombie, zombie, zombie.
It might have been the cold, the hours we spent UFO spotting in the park in the middle of winter, Spencer's idea of an ace birthday party, or the sheer volume of drinking under our belts. After the park where Spencer spotted fifteen UFO's and nobody else any at all we congregated in Spencer's lounge room. There were already people there, drunk as fuck and making little sense to anyone but themselves. One small woman in the corner held up her hand in greeting, showing off a fresh looking graze on the heel of her palm. She said 'I've got cat AIDS' then went back to the bottom of her glass.
Someone explained on the small woman's behalf that she had slipped on some pavers and grazed her hand. She was convinced that there was cat urine somewhere in the mix and now she was telling everyone about her new dose of hopefully imaginary cat AIDS.
Songs turned into time and we sang our way through three more bottles of wine. There were highlights, old favourites, songs nobody at all knew the words for so we all just made noises that kind of sounded like the right words were somewhere underneath the almost melodic synchronised guttural utterances.
Spencer started playing 'Zombie' by The Cranberries. It seemed like we all knew the words, everyone jumping in with;
But you see, it's not me, it's not my family.
In your head, in your head they are fighting,
With their tanks and their bombs,
And their bombs and their guns.
In your head, in your head, they are crying...
In your head, in your head, Zombie, zombie, zombie.
Then came a pause in the singing, no one remembering the next verse, some of us started just humming and harmonising the right sounds but from the corner a clear voice started ringing out singing.
'I've got cat aids, in my haannd, in my hand, in my hand
I'm still fighting'.
There was a communal shrug then everyone, and I mean everyone, all fifteen of us, fell into the song with enthusiasm so wild it was frightening.
'She's got cat aiiiids in her haaaaand, in her haaaaaaaand, cat aids cat aids, but she's fighting'.
Spencer had his wits about him and started playing us in a loop. The small woman in the corner repeated her solo verse, holding her injured palm out and rising from her chair like she was on wires. Three drummers in the room started banging beer bottles on the table and someone picked up another guitar. The chorus swelled again and again 'She's got cat aiiiids, in her haaaaaand, cat aids cat aids, but she's fighting'.
Spencer played us in a loop for an age but the song only gained momentum. We were for those minutes joined together in the height of a communal ridiculous. Together as one voice of call and response, all of us screaming words through laughter. The night and the songs went until just about dawn with moments so strong you could pen a book about them but that one, the impromptu chorus of cat AIDS, well that was really something.
Spencer turned thirty and thought nothing of it
Spencer turned thirty on Saturday. It was about fucking time. He's been in his twenties the whole time I've known him, first he was twenty-one and then a whole year at every age until thirty. It's been a long ride.
Thirty is one of those reflective birthdays where you sit down and have a little think. The first things I thought about were how much he has annoyed me, which is a lot but probably not quite as much as I have annoyed him. Friendship is sometimes a two-way annoyer-annoyee contract. I was thinking about making some notes about the annoying times but that would be easy and a little glib. Then I thought about the moments of support through sorrow, betrayal or ridiculous romantic muddles with hideously inappropriate men. Spencer was there for all of them but that too would be easy.
What is more difficult are moments of friendship and understanding that drop like a mantle pinning you still for just a second while the world glides on your own gentle axis.
Last Saturday I had to read a short story in front of an audience. I did not want to. I was petrified. I was coerced into going through with the deed by a horde of people, Spencer being one of them. I had friends in the crowd, all of them lovely, but Spencer was the one I knew I would go to if I fucked it up royally, made an irredeemable fool of myself and needed someone to make a fast exit with. I shouldn't have been so afraid, writers do this kind of thing all the time, but I was because before that night I've always said no, let my fear guide my answer and just said no.
The reading went with no major hitches, no one was more surprised than me. My next move should have been the bar, but the crowd seemed impenetrable. They were planted wall-to-wall like cross-legged rocks, jagged and unable to be stepped upon. I gave up on the idea of a drink but Spencer went over the back of the armchair he was holed up on and picked his way to the bar.
He strode back towards me, triumphant over the cross-legged crowd, holding two open bottles of beer. I saw he was heading for some difficulty, climbing simultaneously between the red hanging wall partitions and over the back of a sofa. I stood up to help and fell into a five second ballet. He came up suddenly over the back of the sofa rising gracefully as an eagle, passing a bottle into my open hand then placing his empty hand on the top of my head for balance. While he was up there, tall as a rafter, I looked up at the travelling arc of him and realised we were mirroring the same grin, shining and elongated with one long unlit cigarette out of the corner of each of our mouths. I kept looking and grinning as the flat palm of his hand centred his descent and he came to rest feet first on the ground.
It seemed to me that everything was communicated in that five second arc over the back of an old sofa with full beer bottles and unlit cigarettes and stupid grins. It seemed to me like we'd sat for hours talking, me saying how much I had needed him there, him saying of course he was going to be there and that I did alright. Me saying that for years it was him turning his back and taking three tall steps up and onto a stage and that it seemed important somehow that just this once it was me doing the climbing. Him saying that I did it, and he knew all along that I could.
I don't suppose it sounds like much, five seconds of grinning and balancing in the quest for beer but just in that moment it was everything. To be wordlessly understood as the somersaulting mix of fear and relief left me giddy. To know absolutely that his open palm on the top of my head was guiding him safely back down no less than his presence was safely guiding me.
Spencer is one hell of a friend. So happy birthday to him.
note:
I actually received an overwhelming amount of encouraging advice and support about mastering my stage fright and reading my story. From a whole bunch of people like Gemnastics, Geoff Lemon, Anushka, Spencer, Vanessa Berry, Thomas G Watts, my mum and especially Tim Sinclair who came to my house and got all Geoffrey Rush on my Colin Firth arse but right now this is about Spencer.
I am grateful to the people who came up to me afterwards and said they liked my story, especially the people who quoted lines of it back to me, that was odd but nice that you remembered some of my words. And to the woman in the red coat at The Duke thank you for coming up to me and saying you liked my story, days and days and days after the fact. That was kind of great.
Oh and erm, thanks Pip Smith and Penguin Plays Rough for making me do it, giving me free drinks and then paying me money. I hid the money in my sock drawer.
Thirty is one of those reflective birthdays where you sit down and have a little think. The first things I thought about were how much he has annoyed me, which is a lot but probably not quite as much as I have annoyed him. Friendship is sometimes a two-way annoyer-annoyee contract. I was thinking about making some notes about the annoying times but that would be easy and a little glib. Then I thought about the moments of support through sorrow, betrayal or ridiculous romantic muddles with hideously inappropriate men. Spencer was there for all of them but that too would be easy.
What is more difficult are moments of friendship and understanding that drop like a mantle pinning you still for just a second while the world glides on your own gentle axis.
Last Saturday I had to read a short story in front of an audience. I did not want to. I was petrified. I was coerced into going through with the deed by a horde of people, Spencer being one of them. I had friends in the crowd, all of them lovely, but Spencer was the one I knew I would go to if I fucked it up royally, made an irredeemable fool of myself and needed someone to make a fast exit with. I shouldn't have been so afraid, writers do this kind of thing all the time, but I was because before that night I've always said no, let my fear guide my answer and just said no.
The reading went with no major hitches, no one was more surprised than me. My next move should have been the bar, but the crowd seemed impenetrable. They were planted wall-to-wall like cross-legged rocks, jagged and unable to be stepped upon. I gave up on the idea of a drink but Spencer went over the back of the armchair he was holed up on and picked his way to the bar.
He strode back towards me, triumphant over the cross-legged crowd, holding two open bottles of beer. I saw he was heading for some difficulty, climbing simultaneously between the red hanging wall partitions and over the back of a sofa. I stood up to help and fell into a five second ballet. He came up suddenly over the back of the sofa rising gracefully as an eagle, passing a bottle into my open hand then placing his empty hand on the top of my head for balance. While he was up there, tall as a rafter, I looked up at the travelling arc of him and realised we were mirroring the same grin, shining and elongated with one long unlit cigarette out of the corner of each of our mouths. I kept looking and grinning as the flat palm of his hand centred his descent and he came to rest feet first on the ground.
It seemed to me that everything was communicated in that five second arc over the back of an old sofa with full beer bottles and unlit cigarettes and stupid grins. It seemed to me like we'd sat for hours talking, me saying how much I had needed him there, him saying of course he was going to be there and that I did alright. Me saying that for years it was him turning his back and taking three tall steps up and onto a stage and that it seemed important somehow that just this once it was me doing the climbing. Him saying that I did it, and he knew all along that I could.
I don't suppose it sounds like much, five seconds of grinning and balancing in the quest for beer but just in that moment it was everything. To be wordlessly understood as the somersaulting mix of fear and relief left me giddy. To know absolutely that his open palm on the top of my head was guiding him safely back down no less than his presence was safely guiding me.
Spencer is one hell of a friend. So happy birthday to him.
note:
I actually received an overwhelming amount of encouraging advice and support about mastering my stage fright and reading my story. From a whole bunch of people like Gemnastics, Geoff Lemon, Anushka, Spencer, Vanessa Berry, Thomas G Watts, my mum and especially Tim Sinclair who came to my house and got all Geoffrey Rush on my Colin Firth arse but right now this is about Spencer.
I am grateful to the people who came up to me afterwards and said they liked my story, especially the people who quoted lines of it back to me, that was odd but nice that you remembered some of my words. And to the woman in the red coat at The Duke thank you for coming up to me and saying you liked my story, days and days and days after the fact. That was kind of great.
Oh and erm, thanks Pip Smith and Penguin Plays Rough for making me do it, giving me free drinks and then paying me money. I hid the money in my sock drawer.
We did it!
This means we can print issue #2 of PAN magazine, and I am grateful. Crowdfunding felt like a huge risk, if we failed then the issue was in serious peril.
Thank you everyone who donated by pre-ordering their issue of PAN on Pozible. There is much dancing at PAN HQ this morning.
I stopped the rain
Hello my blog, this is Dale speaking. I've nothing much to say to you, just hello my blog.
Homeless accidental toothbrush self-murder with shit in pants and train full of kicking horses
I have been asked to do something frightening. I said no but they said they weren't taking no for an answer. So here I am, sitting at my desk working out how to do the frightening thing. I asked The Peachettes and Spencer if I should do the thing and all of them, straight away, right at my face, said 'YES! Overcome your fear. It will be awesome'.
Awesome.
I want to know why in the fuck doing something you are afraid of doing is awesome. Here is a list of other things I am afraid of:
A giant poisonous spider dropping into my open mouth
Throwing myself under a speeding train
Being kicked in the head by a large horse
Shitting my pants
Freezing to death
Accidentally killing myself with a toothbrush
Being homeless
Now tell me, where is the sense in facing any of those fears? If I was a homeless person with shit in my pants, a spider in my mouth and lying cut in half underneath a train I am pretty sure that would not be awesome.
I am unclear as to why a person should immediately run out and do something they are afraid of doing. I understand if the fear is making an unhealthy impact on life, such as social phobias or fear of eating vegetables that it is best addressed head on but this does not fall anywhere near the same suburb as vegetables.
Now it's 11:17am and I have spent one and a half hours sitting at my desk being frightened of working out how to do the frightening thing. I predict this is going to be a hard week.
Awesome.
I want to know why in the fuck doing something you are afraid of doing is awesome. Here is a list of other things I am afraid of:
A giant poisonous spider dropping into my open mouth
Throwing myself under a speeding train
Being kicked in the head by a large horse
Shitting my pants
Freezing to death
Accidentally killing myself with a toothbrush
Being homeless
Now tell me, where is the sense in facing any of those fears? If I was a homeless person with shit in my pants, a spider in my mouth and lying cut in half underneath a train I am pretty sure that would not be awesome.
I am unclear as to why a person should immediately run out and do something they are afraid of doing. I understand if the fear is making an unhealthy impact on life, such as social phobias or fear of eating vegetables that it is best addressed head on but this does not fall anywhere near the same suburb as vegetables.
Now it's 11:17am and I have spent one and a half hours sitting at my desk being frightened of working out how to do the frightening thing. I predict this is going to be a hard week.
Geoff Lemon This Should Not Be Your 15 Minutes
Everyone is talking about Geoff Lemon's Carbon Tax article, and I mean everyone. Click that link back there and have a read if you haven't read it yet (been under a rock?). It's a fine piece of Lemonian writing but my point, and I do have one, is that it is not the first fine thing he has written.
I've been reading Lemon written things for years now, ever since I first saw him come down the outside stairs at The Hive holding a bottle of gin and a chicken sandwich. There was a group of us, all writers, sitting under the stars drinking and playing Balderdash like our lives depended on it.
I have followed Lemon's writings, corresponded with him via electronic mail, purchased his poetry, commissioned him to write for PAN, narrowly avoided arrest with him in public park and even put him up in The Peach Library for a couple of days.
The rest of my point is this. Geoff Lemon is a fine writer and I understand why everyone has gone ape shit over his carbon tax article, it has been on everybody's mind, but I hope this isn't Lemon's 15 minutes of fame because he's better than that. He's been writing well for years and he's getting better all the time. Writers, like Geoff Lemon, deserve a respected place in our society that lasts longer than 15 minutes.
I've been reading Lemon written things for years now, ever since I first saw him come down the outside stairs at The Hive holding a bottle of gin and a chicken sandwich. There was a group of us, all writers, sitting under the stars drinking and playing Balderdash like our lives depended on it.
I have followed Lemon's writings, corresponded with him via electronic mail, purchased his poetry, commissioned him to write for PAN, narrowly avoided arrest with him in public park and even put him up in The Peach Library for a couple of days.
The rest of my point is this. Geoff Lemon is a fine writer and I understand why everyone has gone ape shit over his carbon tax article, it has been on everybody's mind, but I hope this isn't Lemon's 15 minutes of fame because he's better than that. He's been writing well for years and he's getting better all the time. Writers, like Geoff Lemon, deserve a respected place in our society that lasts longer than 15 minutes.
Touched
Last night my friend said he touched Jon Spencer's inner thigh, when he was onstage. I thought about my tall bearded friend touching a stranger's inner thigh, without permission, in public. Spencer piped up and said Jon Spencer's sweat fell all over him once, after a show, as he walked by and grasped Spencer's hand. Yet another friend sighed longingly at the memory of just listening to him play.
What a strange thing it must be to be desired like that, by everyone from would-be lovers to colleagues of the stage. I wonder if he remembers the feel of all those hands. People straining upwards just to brush the side of a leg or if he is one of those people who descend into a state of otherworldly hyper-focus as the music clangs right through his body in a whirl of muscle memory, chords and rhythms.
What a strange thing it must be to be desired like that, by everyone from would-be lovers to colleagues of the stage. I wonder if he remembers the feel of all those hands. People straining upwards just to brush the side of a leg or if he is one of those people who descend into a state of otherworldly hyper-focus as the music clangs right through his body in a whirl of muscle memory, chords and rhythms.
The ideal height of a front fence is the same as the height of a good pony
The urge to walk always comes as the sun sinks. I used to walk south-west, down the short hill towards the tall footbridge where a person can stand and think with a proper horizon, one that curves with the world and doesn't end with a building. Lately though the urge to walk comes accompanied by an urge to skim near the homes of friends. Just glide by the entrance to their street or glance up at a window and see a warm glow behind curtains.
I thought it was enough to navigate around just knowing where friends will come back to at the end of each long day but I'm not sure now. Last night I swept under the grim railway line, hollow train sounds, flaking posters and a dankness not justified by the climate push me out the other side, fast. I turn up beside the railway track and follow the cyclone fence along its little journey guarding concrete sleepers bolted into beds of sharp grey rocks and the place where I imagined I once saw a severed finger.
I look hard at the street sign for Baltic St, named I guess for my ancestors. I looked hard at the dinner party guests on the weekend too, no salt from the Baltic detectable in their outlook, only the high sweep of a cheekbone or curve of a nostril would give you any idea at all.
Halfway up the slow hill Robert's Eyrie comes into view. Crazy cube of a building. I can just make out the vase full of knitting needles by the window. I only know what it is because I have a vase like that, on a shelf, full of drum sticks. From a distance they make the same pointed shapes, fat and flowerless stems.
Cutting through the meagre grounds of the old church I see signs everywhere, 'please don't steal our plants'. I wonder who would want to, desperate things hanging on to chlorophyll for dear life. I turn down alleys as it pleases me, heading North towards Spencer's strange house with its unexpected hallways and everywhere bathtubs and purple ceilings.
I come out suddenly on Probert St which sweeps a clear path downhill and back up again. Open and straight like a long wound cut by a scythe. Winter feels almost gone this night. The Frangipanis already ludicrously sprouting leaves from their bulbous ends, like trees drawn in crayon.
Crossing a thin arterial road I make a turn towards Abdullah's. His street offers me the opportunity of dodging the whip of tree branches before opening out onto flat industrial ground where his urban fortress sits in its unlikely locale. If I hadn't been politely ushered through the blank metal door in the flat brick wall I would never have imagined what lies hidden behind. Abdullah with his records and guitars and coffee machine that makes coffee the same way you get blood from a stone.
Finally I come to the banks of the loud metal river they named Parramatta Rd. Wishing as always that I could make this journey on a horse. Somewhere in my youth I became so accustomed to travelling on four legs that I exchanged my rhythm for their own. Every step missing the brother echo of a foot that doesn't exist.
I'm not sure now if navigating around where they come back to is what I'm really doing. If I could I would walk through the pulse of their words and songs. Walk slowly and breathe in something of their work as the words and rhythms float silently down amongst the gutters and fallen leaves. I'm walking through ideas to make myself contemporary, with them, weaving my feet through something bigger than my own words.
I thought it was enough to navigate around just knowing where friends will come back to at the end of each long day but I'm not sure now. Last night I swept under the grim railway line, hollow train sounds, flaking posters and a dankness not justified by the climate push me out the other side, fast. I turn up beside the railway track and follow the cyclone fence along its little journey guarding concrete sleepers bolted into beds of sharp grey rocks and the place where I imagined I once saw a severed finger.
I look hard at the street sign for Baltic St, named I guess for my ancestors. I looked hard at the dinner party guests on the weekend too, no salt from the Baltic detectable in their outlook, only the high sweep of a cheekbone or curve of a nostril would give you any idea at all.
Halfway up the slow hill Robert's Eyrie comes into view. Crazy cube of a building. I can just make out the vase full of knitting needles by the window. I only know what it is because I have a vase like that, on a shelf, full of drum sticks. From a distance they make the same pointed shapes, fat and flowerless stems.
Cutting through the meagre grounds of the old church I see signs everywhere, 'please don't steal our plants'. I wonder who would want to, desperate things hanging on to chlorophyll for dear life. I turn down alleys as it pleases me, heading North towards Spencer's strange house with its unexpected hallways and everywhere bathtubs and purple ceilings.
I come out suddenly on Probert St which sweeps a clear path downhill and back up again. Open and straight like a long wound cut by a scythe. Winter feels almost gone this night. The Frangipanis already ludicrously sprouting leaves from their bulbous ends, like trees drawn in crayon.
Crossing a thin arterial road I make a turn towards Abdullah's. His street offers me the opportunity of dodging the whip of tree branches before opening out onto flat industrial ground where his urban fortress sits in its unlikely locale. If I hadn't been politely ushered through the blank metal door in the flat brick wall I would never have imagined what lies hidden behind. Abdullah with his records and guitars and coffee machine that makes coffee the same way you get blood from a stone.
Finally I come to the banks of the loud metal river they named Parramatta Rd. Wishing as always that I could make this journey on a horse. Somewhere in my youth I became so accustomed to travelling on four legs that I exchanged my rhythm for their own. Every step missing the brother echo of a foot that doesn't exist.
I'm not sure now if navigating around where they come back to is what I'm really doing. If I could I would walk through the pulse of their words and songs. Walk slowly and breathe in something of their work as the words and rhythms float silently down amongst the gutters and fallen leaves. I'm walking through ideas to make myself contemporary, with them, weaving my feet through something bigger than my own words.
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