First of all this. I'm tired, I'm drunk, but I did not fuck my shit up. For this may we be truly thankful. Secondly, there was talk at a party tonight, between musicians, of the reviews I have written about them. Some of them seemed mildly pleased, one of them was sort of quite pleased, Spencer bless his stupid heart, doesn't give a crap one way or the other which is good considering the amount of times I've typed his name but there was one man talking about the bad review I gave him two years ago.
He was sitting by the fire and shaking his head a little from side to side like a fast forward ship in the wind, telling a small circle how he'd been playing in bands for fifteen years and I am the only person who ever singled him out for some bad news. He said it with a fond sort of pride and patted me on the shoulder in an absent-minded manner.
I didn't know him when I wrote that review, not that it would have changed my words in any way. It was one sentence.
'The not-Simon guitarist has a habit of muddying up the sound, someone give that man a slide, some pedals and the instructions to not play the same thing as Simon at the same time.'
It would be stupid to say I have never thought about something I wrote being remembered by the person I wrote it about, because I have thought about it. I suppose I just didn't think that one sentence would make such an impact as to have become a story to tell at parties, which is a little stupid when I think about the number of sentences I remember that have been about me.
The most obvious sentences to remember are the ones uttered by men as they beat their retreat or run screaming into the night but there are none so memorable as this.
'You're just like Sarah Blasko, the only thing you are good for is fucking.'
There are several problems with that sentence as far I'm concerned. The man in question has never met Sarah Blasko, I have and I can assure you we are not at all similar. Now that that is out of the way, let's talk about the fucking. The man in question fucked like it was the 80's. I can assure you there are better decades to fuck like. The last and most crucial point might be the part where fucking is the only thing I am good for. As might be expected I have a tendency to disagree with the man on that matter.
But let's get back to the party. For a moment they were doing everything but thanking me for writing about them, that is just fucking stupid because it is the wrong way around. I mean that's really arse about. I'm the one silent in the corner with a notebook and a pen, I'm the one sitting still and solitary making no more noise than the good clacking of keys while they are standing bodily on broad pedestals taking thought out of language and turning it into sound. They're using their arms and legs and lungs to make something so indefinable that already, before I hit the middle, I know I'm going to need a lifetime to write about this.
This all might be making more sense if I wasn't drunk but at this point you'd need an army and seven helicopters with coffee-filled water canons to do anything about that problem. I'm trying to think of one moment to describe. One sentence to illuminate the meaning of music, but this is where Science wins with the battle with Art. Contrary to popular belief most writers are completely fucking useless when they are drunk. You need brain to be working on the same team as fingers to write anything in the same solar system as good. There's not going to be one sentence here that illuminates the meaning of music for me, not tonight. I'll be satisfied if I say this - we have words because we wanted to tell each other what was happening over there or when someone wasn't looking, to steer clear of tigers and say 'that snake over there bites'. We don't have a reason for music the same way we don't have a real reason for air.
Wait, no, that's a big stupid lie. I'm not at all satisfied with saying that. I'll probably think of something better but first I'm either going brush my teeth, eat a licorice allsort or vomit.